Showing posts with label Anne Sexton. Show all posts
Showing posts with label Anne Sexton. Show all posts

Wednesday, April 8, 2020

"For My Lover, Returning To His Wife" by Anne Sexton

In honor of National Poetry Month, I am featuring special poems by special poets each Wednesday. Here is a thoughtful, painfully true piece by one of my all-time favorite poets (previously here), Anne Sexton.

For My Lover, Returning To His Wife
by Anne Sexton

She is all there.
She was melted carefully down for you
and cast up from your childhood,
cast up from your one hundred favorite aggies.
She has always been there, my darling.
She is, in fact, exquisite.
Fireworks in the dull middle of February
and as real as a cast-iron pot.
Let's face it, I have been momentary.
A luxury. A bright red sloop in the harbor.
My hair rising like smoke from the car window.
Littleneck clams out of season.
She is more than that. She is your have to have,
has grown you your practical your tropical growth.
This is not an experiment. She is all harmony.
She sees to oars and oarlocks for the dinghy,
has placed wild flowers at the window at breakfast,
sat by the potter's wheel at midday,
set forth three children under the moon,
three cherubs drawn by Michelangelo,
done this with her legs spread out
in the terrible months in the chapel.
If you glance up, the children are there
like delicate balloons resting on the ceiling.
She has also carried each one down the hall
after supper, their heads privately bent,
two legs protesting, person to person,
her face flushed with a song and their little sleep.
I give you back your heart.
I give you permission --
for the fuse inside her, throbbing
angrily in the dirt, for the bitch in her
and the burying of her wound --
for the burying of her small red wound alive --
for the pale flickering flare under her ribs,
for the drunken sailor who waits in her left pulse,
for the mother's knee, for the stocking,
for the garter belt, for the call --
the curious call
when you will burrow in arms and breasts
and tug at the orange ribbon in her hair
and answer the call, the curious call.
She is so naked and singular
She is the sum of yourself and your dream.
Climb her like a monument, step after step.
She is solid.
As for me, I am a watercolor.
I wash off.


Wednesday, April 10, 2013

The Poetry of Rock n' Roll: "Mercy Street"

In honor of National Poetry Month, each week I am featuring poetic lyrics of rock or pop songs.

The enormously talented musician and gifted songwriter Peter Gabriel has written a slew of amazingly poetic songs, but I felt that this particular song was perfect for its subject matter. Written for poet Anne Sexton, who tragically killed herself at the young age of 45, the title of this song refers to one of her poems, "45 Mercy Street," the address of her childhood home. I am deliberately not including the actual song in this post because I want the focus to be on the words.

Mercy Street
by Peter Gabriel

Looking down on empty streets, all she can see
Are the dreams all made solid
Are the dreams all made real

All of the buildings, all of those cars
Were once just a dream
In somebody's head

She pictures the broken glass, she pictures the steam
She pictures a soul
With no leak at the seam

Let's take the boat out
Wait until darkness
Let's take the boat out
Wait until darkness comes

Nowhere in the corridors of pale green and grey
Nowhere in the suburbs
In the cold light of day
There in the midst of it so alive and alone
Words support like bone

Dreaming of Mercy St.
Wear your inside out
Dreaming of mercy
In your daddy's arms again
Dreaming of Mercy St.
'swear they moved that sign
Dreaming of mercy
In your daddy's arms

Pulling out the papers from the drawers that slide smooth
Tugging at the darkness, word upon word
Confessing all the secret things in the warm velvet box
To the priest--he's the doctor
He can handle the shocks

Dreaming of the tenderness, the tremble in the hips
Of kissing Mary's lips

Dreaming of Mercy St.
Wear your insides out
Dreaming of mercy
In your daddy's arms again
Dreaming of mercy st.
'swear they moved that sign
Looking for mercy
In your daddy's arms

Mercy, mercy, looking for mercy
Mercy, mercy, looking for mercy

Anne, with her father is out in the boat
Riding the water
Riding the waves on the sea


http://petergabriel.com/

Monday, April 23, 2012

"Portrait Of Anne Sexton"

In honor of National Poetry Month, here is my poem "Portrait of Anne Sexton":

Portrait Of Anne Sexton

You sat at forty-
three years of age
in white wicker
with your proper
Wellesley deportment,
serene as ice yet
still looking like
a young girl, tanned, freckled,
limber, freshly clean
after climbing trees.
You were taking sips of gin
between puffs on
a Pall Mall,
hands aristocratically poised
and draped like a
panther on a branch,
wearing a sleeveless
dress with a pleated
Mary Tyler Moore skirt,
the kind my mother
made for herself
from a Butterick pattern
bought at Woolworth’s
on a blinding summer day.
You covered that chair
like a cashmere sheet,
crossed your legs
like a woman in the
backseat of a Mercedes
driving through Beverly Hills
and posed nicely for the
picture, ready to let the
camera flatten you but
a strange heat radiated
from your eyes,
your smile that
remembered being a
speechless mannequin
modeling hats and dresses
and now said softly,
I’ve-had-my-picture-
taken-so-many-times-
go-ahead-and-do-it-
one-more-won’t-hurt
and-oh-by-the-way,
f**k-you-too.
But it was for the book,
all for the book, that slim
safe home for the poems
you wanted so badly.
You wanted to go to them,
run to them, you would’ve
chewed your arm off to get
out of the trap and
flee toward them,
each one a baby
falling from the sky.
You set them up
in your room,
hooked to wires,
coaxing them like
tiny lab experiments.
When they convulsed,
you did too or
maybe you did first
and they followed,
imitating their savior,
their only god,
the one who purrs and
smells of gin.
You charted their growth:
which ones would live
and which would die?
So you sat
far from rain,
far from night
but only on the outside.
You couldn’t escape
the prison, the weekly,
daily rendings
that sent you reeling to
the sealed hotels,
where they showed you
home movies of the
cosmic despair of the universe
in the doorway of your room
on a white bed sheet
strung on rope
like drying laundry.
And you still saw it
after lights out,
after your release—
all you had to do
was close your eyes
and count the steps
from the wicker chair
to the tuna sandwich,
from the tuna sandwich
to the vodka,
from the vodka
to the garage
and to the ignition.

©JEF 1998


April is National Poetry Month!