A lovely, pared down version of "The Numbers" by Radiohead from their most recent 2016 release, "A Moon Shaped Pool." Listen and read the amazing lyrics below...
It holds us like a phantom The touch is like a breeze It shines its understanding See the moon smiling Open on all channels Ready to receive And we're not at the mercy Of your shimmerers or spells Your shimmerers or spells Mmmhm We are of the earth To her we do return The future is inside us It's not somewhere else It's not somewhere else It's not somewhere else (One day at a time) One day at a time We call upon the people People have this power The numbers don't decide Your system is a lie The river running dry The wings of a butterfly And you may pour us away like soup Like we're pretty broken flowers We'll take back what is ours Take back what is ours One day at a time
I am completely blown away by this incredible track, "Daydreaming," from the phenomenal new Radiohead release, "A Moon Shaped Pool."
I was having a rather deep conversation with a good, sympatico friend recently and we both agreed that, what with the entire spectrum of life around us, we both live our lives on the verge of tears most of the time. I mean, just look around at it all--really look, and when you do that, you can't help but feel it and have it touch you. And this song and accompanying video literally made me break down. It has been a little while since a song or video or film or book took me to "that" place (maybe last when I saw Malick's "The Tree of Life" a few years ago, previously here?). But this did it. And where to start?
First of all, Radiohead has the capability of translating the bittersweet sound of how I see the universe into music. From the very first warped tinkling seconds, I was hooked, but of course what slays me is the lulling, tender piano line, both compassionately sweet and despairing. (Compassionate because of the despair?) Thom Yorke's voice, a keening falsetto, has always been a miraculous instrument of supreme emotion for me (as though he too lives his life on the verge of tears) and here, his first words are devastating: "Dreamers/ They never learn/ Beyond the point/ of no return." The lyrics and music are both enigmatic, penetrating...almost holy. Listen.
But the visuals, equally enigmatic, were directed by the phenomenal auteur Paul Thomas Anderson who wrote and directed one of my favorite films, the gripping, exhausting "Magnolia." It's quite telling that we start this completely dream-like journey in a basement (look at the others in the background starting their own private journeys as well). Thom Yorke intently searches through buildings, houses, landscapes for... something... wandering through so much life...so much life that it's heartbreaking (contemplate the meaning and essence of each of these places). It is beyond poignant that he is shown mostly entering into houses...coming home as it were. But at around the 2:20 mark his trajectory importantly turns upward as we see him in elevators and climbing stairs until he returns, in a scene of exquisite Jungian archetypal meaning, to some primal place...a source, a place of beginning, or hibernation deep in the earth while the last puzzling lines of the song play distorted, backward and forward at once.
Just mind boggling and utterly profound.
And no, we don't learn, do we...
Dreamers They never learn They never learn Beyond the point Of no return Of no return And it's too late The damage is done The damage is done This goes Beyond me Beyond you The white room By window Where the sun goes Through We are Just happy to serve Just happy to serve You
"Oh, By The Way" is my digital scrap book of things I like, things I would share with a close friend and say: “Oh, by the way, do you know of this artist/ clothing or interior designer/ model/ singer/ actor/ gorgeous man… or, have you seen this video/ photo/ film... or heard (or do you remember) this song/ band... or, read this book/ poem/ inspiring quote... or, visited this place/ museum/ restaurant/ famous building... or, have you heard of this amazing new scientific discovery?”
I am dedicated to posting the positive, the fascinating, the beautiful, the interesting, the moving, and the inspiring and uplifting. Sometimes I post cultural as well as personal observations, milestones, and remembrances. And just like life, all of these things may often have a bit of melancholy or even sadness in them, which is what makes our time here so lovely and bittersweet and precious.
Some of the photos, art, poetry, and prose are my own original work, credited with my initials, JEF. When it isn't, I always try to post links to the original source material, but often I find photos on the web that are not linked or other material that is not sourced. In these instances, I post them without malice since it is assumed that such things, by being globally posted on something as uncontrollable as the internet to begin with, are in the public domain. If you identify the source of an image that is not linked, please politely let me know (without accusing me of theft, please) and I will be happy to provide a link. If you are the owner of an image and would prefer it be removed, I am happy to do that as well (again, without accusing me of theft, please).
I hope to inspire and entertain my readers with things that inspire and entertain me. There is a startling amount of beauty and creativity in the world and it enriches us all to participate in it.
All-time Favorite Films
2001: A Space Odyssey (Kubrick)
After Hours (Hysterical, hair-raising ride through NYC at night)
Amelie
American Beauty (Alan Ball)
Baraka (Stunning, transcending—the "spiritus mundi" on film)
Belle et Bete (Cocteau)
Big Sleep, The (The epitome of film noir)
Bringing Up Baby (Hepburn & Grant—the epitome of screwball comedy)
Cook, The Thief, His Wife, and Her Lover, The (Greenaway)
Crash (Cronenberg—DIFFICULT subject, not for everyone)
Don’t Look Now (Nicolas Roeg—ultimate modern gothic horror)
Drowning By Numbers (Greenaway)
Easy Rider
Edward II (Derek Jarman)
Erendira (From magic realist Marquez’ brilliant short story)
Eyes Wide Shut (Kubrick's last film)
Fearless (Jeff Bridges—life and death)
Funny Bones (Leslie Caron, Jerry Lewis, and the brilliant Lee Evans)
Holiday (Hepburn & Grant)
Howard’s End (The ultimate statement of the unfairness of class systems)
Hunger, The
Ice Storm, The
Inland Empire (David Lynch)
Interiors (Woody Allen's ode to Bergman)
Jetée, La (French short that inspired Gilliam's "12 Monkeys")
Jules et Jim (Truffaut)
Juliet of the Spirits (My favorite Fellini)
Kwaidan (4 Japanese ghost stories)
L’Age d’Or (Bunuel)
Last Temptation of Christ, The (Jesus was a shaman)
Latcho Drom (Beautiful visual documentary of Romany culture around the world)
Lion in Winter, The (Hepburn!—Like “Who’s Afraid of Virginia Woolf” but circa 1183)
Living End, The
Logan's Run
Lost Highway (David Lynch)
Magnolia
Maurice (Boy gets boy, they live happily ever after!!!!!)
Men Don’t Leave (Jessica Lange’s gorgeous delicate performance)
Mirror, The (achingly beautiful stream of consciousness Tarkovsky)
Nights of Cabiria, The (Fellini)
Orlando (Tilda Swinton’s pristine performance and Sally Potter’s ravishing visuals)
Orphée (HEAVEN! Cocteau was a genius)
Pennies From Heaven (Steve Martin/ stunning Edward Hopper sets!)
Philadelphia Story, The (Hepburn)
Pillow Book, The (Greenaway)
Planet of the Apes (1968...NOT 2001!)
Postman Always Rings Twice, The (Nicholson/Lange--WOW)
Prospero’s Books (Greenaway)
Rebel Without a Cause ("I got the bullets!")
Satyricon (Fellini)
Shining, The (Kubrick)
Solaris (atmospheric, haunting Andrei Tarkovsky sci-fi)
Stalker (chilling Andrei Tarkovsky sci-fi)
Thin Red Line, The (Terrence Malick--existential poetry cleverly disguised as a war film)
Titus (Julie Taymor does Shakespeare)
Tommy (Brilliant, audacious Ken Russell film of The Who's rock opera)
Tree Of Life, The (Terrence Malick masterpiece)
Un Chien Andalou (Bunuel and Dali, need more be said?)
Wall,The (Pink Floyd)
Wings of Desire (All the feelings of the entire human race in one film)
Woman of the Year (Dated yet charming Hepburn vehicle)
Zabriskie Point (Empty, open, classic early 70s)
ZOO, A Zed and Two Noughts (Greenaway)
The Sounds My Soul Makes: Music
Annie Lennox
Brian Eno
Cocteau Twins
David Bowie
David Sylvian
Dead Can Dance
Durutti Column
Elbow
Everything But the Girl
Gang of Four
Gem Club
Goldfrapp
Joni Mitchell
José González
Junip
Kate Bush
Laurie Anderson
M83
Morrissey
Nine Inch Nails
Peter Gabriel
Peter Murphy
Rickie Lee Jones
Sigur Ros
Simple Minds
Smiths, The
Sufjan Stevens
Talk Talk
Tears For Fears
This Mortal Coil
Tori Amos
Ultravox
William Orbit
Zero 7
Important Books That Have Influenced Me
100 Years of Solitude—Gabriel Garcia Marquez
A Wrinkle in Time, A Wind in the Doorway (for young people but worth it)—Madeleine L’Engle