This is coming at me sideways and it is hitting me just right. Dry Cleaning is a British band comprised of vocalist Florence Shaw (a visual artist, drawing lecturer, and picture researcher with no prior musical experience), Tom Dowse, Lewis Maynard, and Nick Buxton. I love the art rock, post-punk, oblique, cracked, spoken word sensibility of this song "Scratchcard Lanyard." Writing for The Quietus, Europe's largest independent music and culture website, journalist Patrick Clarke correctly called it by saying the band "sound so enthrallingly taut, so spikey, frantic and engaging."
It's rare that I hear music that so captures the post-punk sense so well...see Fontaines D.C. here and Savages here.
And not least, the video itself is amazingly creative and hypnotizing. They are on the 4AD label after all, home to decades of amazingly rich and creative artists.
Many years have passed but you're still charming
Rose falling and exploding, you can't save the world on your own
I guess
Don't send me it
You keep it
You keep it
You keep it
Weak arms can't open the door, kung fu council
It'll be okay, I just need to be weird and hide for a bit
And eat an old sandwich from my bag
I've come here to make a ceramic shoe
And I've come to smash what you made
I've come to learn how to mingle
I've come to learn how to dance
I've come to join a knitting circle
I've come to hand weave my own bunk bed ladder in a few short sessions
It's a Tokyo bouncy ball
It's an Oslo bouncy ball
It's a Rio de Janeiro bouncy ball
Filter, I love these mighty oaks, don't you?
Do everything and feel nothing
Wristband, theme park, scratchcard, lanyard
Do everything and feel nothing
Do everything and feel nothing
Pat Dad on the head
Alright, you big loud mouth
Thanks very much for the Twix
I think of myself as a hardy banana with that waxy surface
And small delicate flowers
A woman in aviators firing a bazooka
A woman in aviators firing a bazooka
I've come here to make a ceramic shoe
And I've come to smash what you made
I've come to learn how to mingle
I've come to learn how to dance
I've come to join a knitting circle
That's just child chat
Why don't you want oven chips now?
It's a Tokyo bouncy ball
It's an Oslo bouncy ball
It's a Rio de Janeiro bouncy ball
Filter, I love these mighty oaks, don't you?
Do everything and feel nothing
Wristband, theme park, scratchcard, lanyard
Do everything and feel nothing
Do everything and feel nothing
You seem really together, you've got a new coat, new hair
Well, I'll tell you one thing, you've got it coming
One day, you're gonna get it
Ha
...a retro moment of "Pretty In Pink" and "Dumb Waiters" by The Psychedelic Furs. I had a flash of these songs in my mind and got out my old vinyl...
Formed in 1977 as an art rock/punk outfit by lead singer Richard Butler and his brother Tim on bass, The Psychedelic Furs became one of the staples of the 80s music scene. Their first album, the self titled "The Psychedelic Furs" was a marvel both sonically (the small group included a saxophone! I can only think of one other group from that time period to use a saxophone so effectively and that is Romeo Void) and lyrically, with a sharp spartan sound and strange dream-like narratives with recurring motifs of everyday objects.
It was their 1981 sophomore effort, "Talk Talk Talk" that brought them to wider attention with their song "Pretty In Pink" which inspired John Hughes to make a film of the same name. While the song was used in the film, lyricist Richard Butler later said that the film had nothing whatsoever to do with the original intent of the surreal, doom-y lyrics. For this kaleidoscopic portrait of an enigmatic woman and her suitors, the main character Caroline makes her second appearance here after appearing in a song called "India" from their first album. Even after all this time, the song holds up. It sounds like it could have been made today (albeit with some better recording equipment, although I actually really like the lo-fi sound). And the video...well, I watched it on MTV when such a thing existed. I just love the hallucinogenic, Alice-In-Wonderland feel of it.
Caroline laughs, and it's raining all day She loves to be one of the girls
She lives in the place in the side of our lives
Where nothing is ever put straight
She turns herself 'round
And she smiles and she says
"This is it, that's the end of the joke"
And loses herself in her
Dreaming and sleep, and her
Lovers walk through in their coats She's...
Pretty in pink, isn't she?
Pretty in pink, isn't she?
All of her lovers all
Talk of the notes and the
Flowers that they never sent
And wasn't she easy
Isn't she pretty in pink?
The one who insists he was the
First in the line is the
Last to remember her name
He's walking around in this
Dress that she wore
She is gone, but the
Joke's the same
Pretty in pink, isn't she?
Pretty in pink, isn't she?
Caroline talks to you
Softly sometimes, she says,
"I love you" and "Too much"
She doesn't have anything
You want to steal
Well, nothing you can touch
She waves
She buttons your shirt
The traffic is waiting outside
She hands you this coat
She give you her clothes
These cars collide
Pretty in pink, isn't she?
Pretty in pink, isn't she?
The fractured, disturbing "Dumb Waiters" is also from "Talk Talk Talk" and in fact, opened the album: side one, song one...a pretty splashy way to begin (a poppy, savage sax line plays against a background of dirge-like noise). It harkens back to the sound of the first album which was subversive, textured, and yes, psychedelic, with Butler's amazing, trademark voice, at once gravelly and reedy. And the video feels like an Andy Warhol/Velvet Underground reference.
Give me all your paper ma Gimme all your jazz Give me something that I need Something I can have Mrs. London's coming round She's coming with her son Gimme all your paper ah So I can get a gun She has got it in for me Yeah I mean it honestly She's so mean Give me all your paper ma So I can buy a train They just wanna suck you in To being one of them Tell her that I'm not in here Tell her I'm a freak Tell her that I fall about Every time I speak She has got in for me Yeah I mean it honestly I just scream Give me all your paper ma So I can buy a train I don't know how I got in here It's making me insane Have another cigarette And have another cigarette In a room where lovers go Talking on the telephone They have go it in for me Yeah I mean it honestly They all dream
"Oh, By The Way" is my digital scrap book of things I like, things I would share with a close friend and say: “Oh, by the way, do you know of this artist/ clothing or interior designer/ model/ singer/ actor/ gorgeous man… or, have you seen this video/ photo/ film... or heard (or do you remember) this song/ band... or, read this book/ poem/ inspiring quote... or, visited this place/ museum/ restaurant/ famous building... or, have you heard of this amazing new scientific discovery?”
I am dedicated to posting the positive, the fascinating, the beautiful, the interesting, the moving, and the inspiring and uplifting. Sometimes I post cultural as well as personal observations, milestones, and remembrances. And just like life, all of these things may often have a bit of melancholy or even sadness in them, which is what makes our time here so lovely and bittersweet and precious.
Some of the photos, art, poetry, and prose are my own original work, credited with my initials, JEF. When it isn't, I always try to post links to the original source material, but often I find photos on the web that are not linked or other material that is not sourced. In these instances, I post them without malice since it is assumed that such things, by being globally posted on something as uncontrollable as the internet to begin with, are in the public domain. If you identify the source of an image that is not linked, please politely let me know (without accusing me of theft, please) and I will be happy to provide a link. If you are the owner of an image and would prefer it be removed, I am happy to do that as well (again, without accusing me of theft, please).
I hope to inspire and entertain my readers with things that inspire and entertain me. There is a startling amount of beauty and creativity in the world and it enriches us all to participate in it.
All-time Favorite Films
2001: A Space Odyssey (Kubrick)
After Hours (Hysterical, hair-raising ride through NYC at night)
Amelie
American Beauty (Alan Ball)
Baraka (Stunning, transcending—the "spiritus mundi" on film)
Belle et Bete (Cocteau)
Big Sleep, The (The epitome of film noir)
Bringing Up Baby (Hepburn & Grant—the epitome of screwball comedy)
Cook, The Thief, His Wife, and Her Lover, The (Greenaway)
Crash (Cronenberg—DIFFICULT subject, not for everyone)
Don’t Look Now (Nicolas Roeg—ultimate modern gothic horror)
Drowning By Numbers (Greenaway)
Easy Rider
Edward II (Derek Jarman)
Erendira (From magic realist Marquez’ brilliant short story)
Eyes Wide Shut (Kubrick's last film)
Fearless (Jeff Bridges—life and death)
Funny Bones (Leslie Caron, Jerry Lewis, and the brilliant Lee Evans)
Holiday (Hepburn & Grant)
Howard’s End (The ultimate statement of the unfairness of class systems)
Hunger, The
Ice Storm, The
Inland Empire (David Lynch)
Interiors (Woody Allen's ode to Bergman)
Jetée, La (French short that inspired Gilliam's "12 Monkeys")
Jules et Jim (Truffaut)
Juliet of the Spirits (My favorite Fellini)
Kwaidan (4 Japanese ghost stories)
L’Age d’Or (Bunuel)
Last Temptation of Christ, The (Jesus was a shaman)
Latcho Drom (Beautiful visual documentary of Romany culture around the world)
Lion in Winter, The (Hepburn!—Like “Who’s Afraid of Virginia Woolf” but circa 1183)
Living End, The
Logan's Run
Lost Highway (David Lynch)
Magnolia
Maurice (Boy gets boy, they live happily ever after!!!!!)
Men Don’t Leave (Jessica Lange’s gorgeous delicate performance)
Mirror, The (achingly beautiful stream of consciousness Tarkovsky)
Nights of Cabiria, The (Fellini)
Orlando (Tilda Swinton’s pristine performance and Sally Potter’s ravishing visuals)
Orphée (HEAVEN! Cocteau was a genius)
Pennies From Heaven (Steve Martin/ stunning Edward Hopper sets!)
Philadelphia Story, The (Hepburn)
Pillow Book, The (Greenaway)
Planet of the Apes (1968...NOT 2001!)
Postman Always Rings Twice, The (Nicholson/Lange--WOW)
Prospero’s Books (Greenaway)
Rebel Without a Cause ("I got the bullets!")
Satyricon (Fellini)
Shining, The (Kubrick)
Solaris (atmospheric, haunting Andrei Tarkovsky sci-fi)
Stalker (chilling Andrei Tarkovsky sci-fi)
Thin Red Line, The (Terrence Malick--existential poetry cleverly disguised as a war film)
Titus (Julie Taymor does Shakespeare)
Tommy (Brilliant, audacious Ken Russell film of The Who's rock opera)
Tree Of Life, The (Terrence Malick masterpiece)
Un Chien Andalou (Bunuel and Dali, need more be said?)
Wall,The (Pink Floyd)
Wings of Desire (All the feelings of the entire human race in one film)
Woman of the Year (Dated yet charming Hepburn vehicle)
Zabriskie Point (Empty, open, classic early 70s)
ZOO, A Zed and Two Noughts (Greenaway)
The Sounds My Soul Makes: Music
Annie Lennox
Brian Eno
Cocteau Twins
David Bowie
David Sylvian
Dead Can Dance
Durutti Column
Elbow
Everything But the Girl
Gang of Four
Gem Club
Goldfrapp
Joni Mitchell
José González
Junip
Kate Bush
Laurie Anderson
M83
Morrissey
Nine Inch Nails
Peter Gabriel
Peter Murphy
Rickie Lee Jones
Sigur Ros
Simple Minds
Smiths, The
Sufjan Stevens
Talk Talk
Tears For Fears
This Mortal Coil
Tori Amos
Ultravox
William Orbit
Zero 7
Important Books That Have Influenced Me
100 Years of Solitude—Gabriel Garcia Marquez
A Wrinkle in Time, A Wind in the Doorway (for young people but worth it)—Madeleine L’Engle