BEAUTY: Painting--Carole Brémaud

French painter, photographer, and sculptor Carole Brémaud's obscured-face portraits appeal to me. I have posted other artists who work on obscured-face portraits, like Nicola Samori. I can't help but think of Francis Bacon's many "Melting Popes" seen here and here. Obscuring the face obscures the most important part of a portrait, rendering the identity of the person moot. What emerges from this anonymity is a psychological profile, whether filled in by the artist or supplied by us, the viewer.


Top to bottom: At The Heart of It; Carnaseum; Charcoal; Commodus; Herculaneum

http://cbremaud.carbonmade.com/
http://carolebremaud.ultra-book.com/actualites

BEAUTY: Painting--Nicola Samori

Italian artist Nicola Samori paints like an Old Master: he uses oil on copper, a technique that was popular in the sixteenth through eighteenth centuries and used by the likes of El Greco, Chardin and Rembrandt. But unlike the Old Masters, he puts a decidedly contemporary conceptual spin on his portraits. Faces and bodies run and drip as if caught in the rain... or a toxic spill. The paint dissolves and mars an otherwise traditional Old World portrait. Although I like these pieces and they seem to have a feeling of originality about them, of course one cannot help but flash on Bacon's many "Melting Popes," as seen here and here. Like Bacon's Pope, Samori's portraits offer a disturbing glimpse into a psychological layer beneath the stiffness and formality of a Baroque portrait.


http://www.nicolasamori.com/