https://us.louisvuitton.com/
Showing posts with label sea. Show all posts
Showing posts with label sea. Show all posts
Thursday, June 25, 2026
BEAUTY: Set Design--Louis Vuitton
And here we are starting Paris Fashion Week and what a way to make a splash .. literally. For their Spring Summer '27 surfer-inspired collection (which I am not showing because, frankly, it is not that motivating to me), Louis Vuitton created a jaw-dropping set of an enormous breaking wave, consisting of real water cascading down a structure into two pools. The runway and showspace floor was completely covered in soft sand. Wow...
https://us.louisvuitton.com/
https://us.louisvuitton.com/
Wednesday, August 24, 2022
Tuesday, June 21, 2022
Happy Summer Solstice 2022!
Happy Summer Solstice 2022!
The longest day of the year. Enjoy.
After today, the days grow shorter as we begin our descent into autumn...
Wednesday, February 2, 2022
BEAUTY: Fiber Art--Mulyana
Currently on display until March 4 at the Sapar Contemporary gallery in New York City, Mulyana: Fragile Ecologies is a whimsical fiber art installation by Indonesian fiber artist Mulyana.
The Sapar Contemporary statement says:
Sapar Contemporary announces Mulyana: Fragile Ecologies, the artist’s first solo exhibition at the gallery. Known for his whimsical knit and crocheted Mogus characters and his dazzling underwater landscapes, Mulyana’s latest exhibition Fragile Ecologies, features two life-size, hand-knit and crocheted costumes and a series of sumptuously knit coral islands in the main room of the gallery. As the viewer enters the gallery they encounter multi-colored coral islands and suspended Mogus figures representative of his oeuvre, as well as being treated to a video introducing us to new vibrant costumes on moving figures, that are filmed on location in the beautiful Indonesian landscape.
Masks and costumes are seminal expressions in many folkloric traditions that can signify heroic acts, define religious celebrations, channel spirits, or provide entertainment. Masks in particular are a metaphor for the facades we construct to conceal the ‘true self’ from our neighbors. For Mulyana the impulse behind the Adikara and Nayanika costumed figures is intended to achieve the opposite—for him, these avatars more accurately embody his personality than the Mogus characters are able to do. These figurative tableaus speak to the universal struggle of becoming comfortable in one's own skin and resonate profoundly as we grapple with this unprecedented era of isolation and uncertainty of the pandemic.
Mulyana’s work directly engages the audience: His immersive installations captivate viewers of all ages both with their fantastical portrayal of oceanic life and his attention to detail in the creation of his creatures. The enveloping experience underscores the precarious nature of complex ecosystems in the sea and examines the peril that this sanctuary is in, as a result of global pollution levels and climate change. Because of his commitment to sustainability, Mulyana incorporates repurposed yarn and support materials in his process to minimize new industrial material production, as well as recycling parts of his installations into new projects.
Mulyana’s generous approach to life is reflected in every component of his art making. He experiences the act of knitting and crocheting as a form of meditation and prayer. Guided by the belief that, “In God’s eyes, our earthly being will eventually meet the Creator in a beautiful place,” he views his artistic expression as a privilege, one that allows him to “show gratitude to the Creator who has blessed me with a sound mind and a healthy body for life on earth.” Based in Yogyakarta, Indonesia, his founding vision was to establish a community-based practice. His earliest collaborators were a group of transgender women from the nearby village of Sorogenen. A dedicated community of artisans, they played a central role in developing the idea for his creaturely knit and crocheted sculptures.
On a macro level, Mulyana’s profound concern for the eroding environment and our collective lack of care for the natural world, parallels the importance of self-care on a micro level. His message encourages a holistic path to self-preservation amidst a chaotic and uncertain post-pandemic world. While Mulyana does not overtly reference gender and sexuality in his intricate installations, the diversity of his colorful environments and spectacular costumes allude to the fluidity of human identity. His commitment to promoting shared values emanates from his spiritual understanding of human dignity, an outlook that honors the totality of creation. By constructing elaborate, magical worlds, Mulyana hopes to ignite our collective imagination to cherish creation and reveal the beauty inside each of us.
http://mulyana.info/
https://www.saparcontemporary.com/exhibitions#/muleco
The Sapar Contemporary statement says:
Sapar Contemporary announces Mulyana: Fragile Ecologies, the artist’s first solo exhibition at the gallery. Known for his whimsical knit and crocheted Mogus characters and his dazzling underwater landscapes, Mulyana’s latest exhibition Fragile Ecologies, features two life-size, hand-knit and crocheted costumes and a series of sumptuously knit coral islands in the main room of the gallery. As the viewer enters the gallery they encounter multi-colored coral islands and suspended Mogus figures representative of his oeuvre, as well as being treated to a video introducing us to new vibrant costumes on moving figures, that are filmed on location in the beautiful Indonesian landscape.
Masks and costumes are seminal expressions in many folkloric traditions that can signify heroic acts, define religious celebrations, channel spirits, or provide entertainment. Masks in particular are a metaphor for the facades we construct to conceal the ‘true self’ from our neighbors. For Mulyana the impulse behind the Adikara and Nayanika costumed figures is intended to achieve the opposite—for him, these avatars more accurately embody his personality than the Mogus characters are able to do. These figurative tableaus speak to the universal struggle of becoming comfortable in one's own skin and resonate profoundly as we grapple with this unprecedented era of isolation and uncertainty of the pandemic.
Mulyana’s work directly engages the audience: His immersive installations captivate viewers of all ages both with their fantastical portrayal of oceanic life and his attention to detail in the creation of his creatures. The enveloping experience underscores the precarious nature of complex ecosystems in the sea and examines the peril that this sanctuary is in, as a result of global pollution levels and climate change. Because of his commitment to sustainability, Mulyana incorporates repurposed yarn and support materials in his process to minimize new industrial material production, as well as recycling parts of his installations into new projects.
Mulyana’s generous approach to life is reflected in every component of his art making. He experiences the act of knitting and crocheting as a form of meditation and prayer. Guided by the belief that, “In God’s eyes, our earthly being will eventually meet the Creator in a beautiful place,” he views his artistic expression as a privilege, one that allows him to “show gratitude to the Creator who has blessed me with a sound mind and a healthy body for life on earth.” Based in Yogyakarta, Indonesia, his founding vision was to establish a community-based practice. His earliest collaborators were a group of transgender women from the nearby village of Sorogenen. A dedicated community of artisans, they played a central role in developing the idea for his creaturely knit and crocheted sculptures.
On a macro level, Mulyana’s profound concern for the eroding environment and our collective lack of care for the natural world, parallels the importance of self-care on a micro level. His message encourages a holistic path to self-preservation amidst a chaotic and uncertain post-pandemic world. While Mulyana does not overtly reference gender and sexuality in his intricate installations, the diversity of his colorful environments and spectacular costumes allude to the fluidity of human identity. His commitment to promoting shared values emanates from his spiritual understanding of human dignity, an outlook that honors the totality of creation. By constructing elaborate, magical worlds, Mulyana hopes to ignite our collective imagination to cherish creation and reveal the beauty inside each of us.
https://www.saparcontemporary.com/exhibitions#/muleco
Friday, August 13, 2021
BEAUTY: Painting--Elizabeth Lennie
Summer, seaside paintings from artist Elizabeth Lennie...colorful, fun, beautifully Impressionistic...
Top to bottom: A Day At The Beach; Beachlife 17; Beachlife 18; Beachlife 21; Beachlife 24 - Sandbar; Mike In Cozumel; Naples; Seaside; The Turquoise Sea; Weightless
http://elizabethlennie.com/
Top to bottom: A Day At The Beach; Beachlife 17; Beachlife 18; Beachlife 21; Beachlife 24 - Sandbar; Mike In Cozumel; Naples; Seaside; The Turquoise Sea; Weightless
Saturday, August 7, 2021
Halfway Through Summer 2021!
Today is the midway point of the summer season. The long days are growing shorter...enjoy!
Thursday, July 30, 2020
The Anthenea Floating Hotel Pod
Made in France, the Anthenea floating pod is a new kind of hotel room. The website describes how it came to be:
At the origins of this incredible project, there is the dream of Jean-Michel Ducancelle, Naval architect, directly inspired by James Bond’s floating pod in "The Spy Who Loved Me" , 1977.
For 25 years, Jean-Michel has been wondering about how humans can inhabit the Earth. He passionately cultivates the idea that tomorrow’s habitat should be at the heart of natural environment in order to offer to all, a life in an immersive marine & submarine world. He envisions a way to apprehend the future differently, with a solution for the increasing reduced availability of construction on the coast and a new look at the floating habitat.
His decisive meeting with the visionary industrial Jacques-Antoine Cesbron, enabled the culmination of such years of patented research and innovation.
With the birth of Anthenea, the dream has become reality.
The Anthenea pod comes with an adjustable sunshade roof, solar panels, a panoramic bathtub, and over 7 feet of bedding diameter. The pod is 100% recyclable, while its design has been studied to resist cataclysms and the rise of oceans. Only running on solar power, the floating habitat features an energy sensor dome that meets the electrical and hot water needs. The Anthenea pod is equipped with certified black and gray water stations, and produces what it consumes, releasing clean water only. The manufacturer might want to look at ways of adapting the pod for permanent living, since we are all going to be floating in another 20 years or so...
https://www.anthenea.fr/
At the origins of this incredible project, there is the dream of Jean-Michel Ducancelle, Naval architect, directly inspired by James Bond’s floating pod in "The Spy Who Loved Me" , 1977.
For 25 years, Jean-Michel has been wondering about how humans can inhabit the Earth. He passionately cultivates the idea that tomorrow’s habitat should be at the heart of natural environment in order to offer to all, a life in an immersive marine & submarine world. He envisions a way to apprehend the future differently, with a solution for the increasing reduced availability of construction on the coast and a new look at the floating habitat.
His decisive meeting with the visionary industrial Jacques-Antoine Cesbron, enabled the culmination of such years of patented research and innovation.
With the birth of Anthenea, the dream has become reality.
The Anthenea pod comes with an adjustable sunshade roof, solar panels, a panoramic bathtub, and over 7 feet of bedding diameter. The pod is 100% recyclable, while its design has been studied to resist cataclysms and the rise of oceans. Only running on solar power, the floating habitat features an energy sensor dome that meets the electrical and hot water needs. The Anthenea pod is equipped with certified black and gray water stations, and produces what it consumes, releasing clean water only. The manufacturer might want to look at ways of adapting the pod for permanent living, since we are all going to be floating in another 20 years or so...
https://www.anthenea.fr/
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