BEAUTY: Clothing--John Alexander Skelton

I have been a fan of John Alexander Skelton for many seasons now. Regular readers know I love clothing that has an historical sense, which can manifest in the silhouette, the patterns and cuts, and of course in choices of color and materials. It is why I love the work of Westwood, Yamamoto, Anne Demeulemeester when she was head of her own house, the swashbuckling collections of Galliano, even Armani in his refined luxury with hints of the past. But the work of John Alexander Skelton is extraordinary. Skelton (previously here--please do take a look at some incredible past collections), who was awarded the Sarabande scholarship granted by the Lee Alexander McQueen Foundation and graduated from Central Saint Martin’s with an M.A. in fashion men’s wear in 2016, references Dickensian/19th-century/Victorian/Edwardian menswear such as frock coats and high-waisted trousers. Because of my past New Romantic heart (here and here), I am of course wild for the Romantic and historical references in his collections, and a signature detail of his is the plethora of buttons on shirts, waistcoats, and jackets. Skelton says he sees buttons as the simplest form of decoration, as a kind of jewelry, so he applies them liberally to pieces. I feel his love and respect for antique English clothing just like Westwood.

Skelton just independently showed another Fall-Winter '25-'26 collection perfectly in keeping with his vision. In an East London church filled with antique English farmhouse tables piled with evergreen  boughs and candles, and with "the air perfumed by scorched yew and mulled cider" according to fashion journalist Mahoro Seward (here), models showed off Skelton's offerings which included some lovely jacquards. Gorgeous work as usual!

https://www.johnalexanderskelton.com/