"The Flow" by Markos Kay

Markos Kay is a digital artist who has created the generative short film "The Flow." This astonishing short film tracks the building blocks of our reality from M-branes to Quarks, Quarks to Hadrons, Hadrons to Nucleus, Atoms to Molecules, and finally Biomolecules to Organelles. Although the film tracks concepts in quantum physics and quantum mechanics, you don't necessarily have to understand the concepts in order to appreciate the unimaginable, staggeringly small nature of everything we are seeing. We currently do not possess any ways of seeing things this small and such ideas are based on mathematic models of reality.

"The evolutionary play of quarks and electrons resulted in nuclei and atoms. The computational outburst of atoms resulted into molecules and star systems. The intricate relationships between molecules created the fascinating entities of DNA, proteins and membranes. The interplay of which created the many species of cells, which through an inherent need to reduce their entropy and ensure their propagation would congregate into organs and advanced interacting organisms. These organisms would grow interfaces that would mirror their predecessors, and in a game of survival of the fittest would evolve complex processing capabilities creating virtual worlds, artifacts and cultural codes.

The Flow looks at the supervening layers of reality that we can observe, from quarks to nucleons to atoms and beyond. The deeper we go into the foundations of reality the more it loses its form, eventually becoming a pure mathematical conception. The Flow visually imagines physical processes that we are unable to directly observe with any imaginable medium, while referring to modern physical theories and scientific visualisation processes. It alludes to ideas of digital physics, complexity and information theories as well as the concepts of universal Darwinism, emergence and supervenience. The Flow is Bohm’s holomovement, the universal flux.

These visualisations are not based on actual scientific data, but are visual representations of scientific theory. The aim is to challenge current scientific iconography by presenting a more complete picture of physical processes, based on current theory. The form and movement of these visualisations is generated by 3D computer simulations of particle systems, fluid/soft body dynamics and spherical harmonics. These simulations create an unpredictable dynamic motion that is recorded by a virtual camera, that refers back to the stochastic processes that drive complexity theory.

Using biomorphism to evoke a sense of life, the microscopic-biological visual language portrays these invisible entities as active organisms, as embryonic processes of reality and life. They are presented as a seamless stream of interacting information, each layer building the next in a continuous everchanging state of flux. We ourselves are made out of these interweaving layers of reality, which makes us informational entity complexes.

The Flow proposes a paradigm shift, from a fragmented understanding of reality to a conceptually unified viewpoint of the inner workings of the universe. Through this new viewpoint one can discover patterns within the stream of reality but also raise the question of whether reality stems from a single unified field, like the implicate order or a holographic projection. This viewpoint also allows us to postulate how this flow unfolds into increasingly complex levels of interaction and how it gives rise not only to genetic information but also to entire cellular systems, consciousness and culture."

http://www.mrkism.com/flow/