Showing posts with label 2015. Show all posts
Showing posts with label 2015. Show all posts
Thursday, December 31, 2015
Friday, December 25, 2015
Monday, December 21, 2015
The Last Day of Autumn 2015
Say goodbye to autumn. Tomorrow, the sun begins its long struggle back to us...
Thursday, November 26, 2015
Thanks, Jesus...2015
As we eat our Thanksgiving meal, let us thank not an imaginary figure in the sky but those who are TRULY responsible for bringing our food to our tables, through their numbingly long days of low-wage, backbreaking work.
Happy Thanksgiving 2015
“Cultivate the habit of being grateful for every good thing that comes to you, and to give thanks continuously. And because all things have contributed to your advancement, you should include all things in your gratitude.”
― Ralph Waldo Emerson
― Ralph Waldo Emerson
HAPPY THANKSGIVING.
Sunday, November 1, 2015
Bonne Fête de La Toussaint 2015
Aujourd'hui est le jour de La Toussaint en France.
Today is La Toussaint in France, a national holiday. Although Toussaint is a combination of the word tous ("all" in French) and saint, meaning "All Saint's Day," it is also "All Soul's Day." La Toussaint is closely related, in intent and spirit, to the Día de los Muertos (Day of the Dead) celebration in Latin cultures. It is a day to remember, celebrate, and honor departed loved ones and ancestors.
In France, the general population are not very religious, but this Catholic celebration has become a secular national holiday. People visit cemeteries to have picnics and to tend to the graves of family members and decorate them with chrysanthemums, a flower symbolizing death (a symbol shared with Day of the Dead); generally, the French do not use this flower for any other purpose.
Today is La Toussaint in France, a national holiday. Although Toussaint is a combination of the word tous ("all" in French) and saint, meaning "All Saint's Day," it is also "All Soul's Day." La Toussaint is closely related, in intent and spirit, to the Día de los Muertos (Day of the Dead) celebration in Latin cultures. It is a day to remember, celebrate, and honor departed loved ones and ancestors.
In France, the general population are not very religious, but this Catholic celebration has become a secular national holiday. People visit cemeteries to have picnics and to tend to the graves of family members and decorate them with chrysanthemums, a flower symbolizing death (a symbol shared with Day of the Dead); generally, the French do not use this flower for any other purpose.
Saturday, October 31, 2015
Happy Halloween 2015!
HAPPY HALLOWEEN!
The night is still
And the frost, it bites my face
I wear my silence like a mask
And murmur like a ghost
"Trick or treat"
"Trick or treat"
The bitter and the sweet
The carefree days are distant now
I wear my memories like a shroud
I try to speak, but words collapse
Echoing, echoing
"Trick or treat"
"Trick or treat"
The bitter and the sweet
I wander through your sadness
Gazing at you with scorpion eyes
Halloween... Halloween
A sweet reminder in the ice-blue nursery
Of a childish murder, of hidden lustre
And she cries
"Trick or treat"
"Trick or treat"
The bitter and the sweet
I wander through your sadness
Gazing at you with scorpion eyes
Halloween... Halloween
http://juliettebates.com/
http://siouxsieandthebanshees.co.uk/
Sunday, October 11, 2015
Happy International Coming Out Day 2015
Today is the 27th annual International Coming Out Day. This celebration started in 1988 as a way to raise awareness of the LGBT community and civil rights movement.
If you haven't yet, join us. We need you.
Sculpture by Lazar-G
Monday, September 28, 2015
Happy Cherokee New Year 2015!
Happy Cherokee New Year!
The Cherokee people ended their year and started the new year in autumn. It’s interesting—and makes sense—that they chose the harvest to mark the end of the year. The earth had gone through a cycle: the food had grown from spring, through summer, and then was harvested in the fall. The cycle was finished; time to start anew. The New Year was celebrated with a festival that featured purifications, dancing, prayers and offerings, and food such as corn, beans, squash, and meat.Since the Cherokee calendar was and still is extremely tied to the phases of the moon, the timing of the New Year observation is somewhat up for debate. Some sources say that it was observed on the first full moon after the start of autumn, which is today, September 28th, 2015. Other sources report that the New Year was observed ten days after the first full moon, the ten days probably being a period of fasting and preparation for the festival. Still other sources cite the first full moon in the Cherokee month of Nvdadequa or Nvwatitequa—which happens during our month of November—as the true Cherokee New Year.
Whenever it was celebrated, it was surely around this time... when the earth turns, the days grow shorter, the nights grow longer, and the weather turns cold. We prepare for the introspection that comes with winter, when the ground sleeps under the snow. That is the beginning of the year, the beginning of time: from darkness and cold springs life, new growth.
I wish you all "alihelisdi itse udetiyvsadisvi" or Happy New Year!
http://www.cherokee.org/
Wednesday, September 23, 2015
Happy Autumnal Equinox 2015
Today is the official start of autumn, when our planet begins to tilt the other direction, tipping the northern hemisphere away from the sun. The days grow shorter, nights grow longer, as we move indoors and into ourselves for hibernation and introspection. Autumn is a time of harvest as the earth moves into hibernation as well. It is a beautiful time, a spiritual transition, a doorway between summer and winter.
HAPPY AUTUMNAL EQUINOX 2015!
(And for my friends Down Under, Happy Spring!)
Tuesday, September 22, 2015
Happy Birthday "Oh, By The Way!" 2015
Congratulations "Oh, By The Way," you are six years old today!
Six years ago, I had a dream in which I started a blog called “Oh, By The Way.” When I woke up that morning, I went to the computer and promptly started a blog called “Oh, By The Way.” Seriously--it was the first thing I did that morning, and yes, I often act out in waking life things I have dreamt.
"Oh, By The Way" is my digital scrap book of things I like, things I would share with a close friend and say: “Oh, by the way, do you know of this artist/ clothing or interior designer/ model/ singer/ actor/ gorgeous man… or, have you seen this video/ photo/ film... or heard (or do you remember) this song/ band... or, read this book/ poem/ inspiring quote... or, visited this place/ restaurant/ famous building... or, have you heard of this amazing new scientific discovery?”
Followers and regular readers: thank you so much! I hope you find this blog fascinating, beautiful, interesting, moving, inspiring, informative, and uplifting. Welcome to the birthday party. Instead of cake this year, we are having donuts! Grab a virtual glazed treat and a glass of milk and enjoy...
Six years ago, I had a dream in which I started a blog called “Oh, By The Way.” When I woke up that morning, I went to the computer and promptly started a blog called “Oh, By The Way.” Seriously--it was the first thing I did that morning, and yes, I often act out in waking life things I have dreamt.
"Oh, By The Way" is my digital scrap book of things I like, things I would share with a close friend and say: “Oh, by the way, do you know of this artist/ clothing or interior designer/ model/ singer/ actor/ gorgeous man… or, have you seen this video/ photo/ film... or heard (or do you remember) this song/ band... or, read this book/ poem/ inspiring quote... or, visited this place/ restaurant/ famous building... or, have you heard of this amazing new scientific discovery?”
Followers and regular readers: thank you so much! I hope you find this blog fascinating, beautiful, interesting, moving, inspiring, informative, and uplifting. Welcome to the birthday party. Instead of cake this year, we are having donuts! Grab a virtual glazed treat and a glass of milk and enjoy...
Friday, June 19, 2015
The Peacocks of Pitti Uomo, June 2015
The attendees of Pitti Uomo, the bi-annual fashion trade show held at the Fortezza de Basso in Florence, are always smartly dressed. Italian men love suits but style them in a way so as to be either more casual or extremely sharp, but never just a middle-of-the-road "suit."
We are also starting to see Craig Green's unmistakable flowing ties in street fashion.
Also spotted: hats! Panamas, pork pies, fedoras...
We are also starting to see Craig Green's unmistakable flowing ties in street fashion.
Also spotted: hats! Panamas, pork pies, fedoras...
Above photos by Adam Katz Sinding
Monday, May 11, 2015
The San Francisco Decorator's Showcase 2015
This weekend I attended, as I do every year, the San Francisco Decorator's Showcase which takes place at a different mansion, usually somewhere in Pacific Heights in San Francisco... and this year, the Showcase was in an Elizabethan styled home Julia Morgan designed in 1917. The six-bedroom, eight bath house is modest when compared with others in the neighborhood, despite the fact that it sold for $18 million. But it is still stunning, sitting a stone's throw from the Presidio and with its views of the Bay.
This year's crop of designers did outstanding work and the intriguing design sensibility started with the entry by Candace Barnes. Her decision to install an extremely large-scale painting obscuring the stairway was a bold one. But when approached from a design standpoint, there was really no other way to make a statement and ultimately, it works very well, anchoring the space and establishing a backdrop of a color and texture that is carried throughout the rest of the entryway with quartz obelisks on a zinc console table and a pair of croc-covered stools. The Japanese maple is a brilliant touch to balance out the stairwell entrance on the opposite side. And the cherry on the cake of her entire foyer is a marvelous Lasvit glass-rod chandelier. Gorgeous.
Some years there are rooms that grab me the moment I see them and I end up just standing there, taking it all in for quite a while before I even begin to come to my senses. Julie Rootes' powder room was such a space for me, but being a powder room made it all the more difficult for me to stand stunned since, as I reminded myself while hogging the tiny space, "Other people need to see the room too, Jeff..." There is so much amazing texture and interest in such a small space here. Below the wainscoting is a 24-karat gold and onyx mosaic tile topped with a wallcovering in similar tones. The vanity is of a rough-hewn calacatta gold marble. And to echo the unique honeycomb design in the wallcovering, Rootes custom made a similarly shaped gold-leafed metal niche to house lovely objects. Wow.
This year's living room is an homage to Yves St. Laurent designed by Phillip Silver. It is elegant and tailored like a St. Laurent piece, but the overriding motif seems to be minerals and gems. Amethyst geodes appear over the fireplace, two floor lamps made of selenite flank the grand window, decorative glass objects faceted like jewels lay about, and furnishings come in modest jewel tones like citrine and carnelian. Even the camel colored draperies are lined with a soft, serious pink. The chandelier in the center of the room is a silvered branch dripping with crystal drops.
The inviting family room/kitchen area is full of surprises. Kathleen Navarra layered a lot into the open plan area but it does not feel busy or burdened. The first thing I noticed when I walked in was the glorious high-gloss turquoise ceiling! Beautiful pendants and perfect drapery fabric make the eat-in area stand out. The mosaic tile wall behind the flat screen TV carries across the wall and becomes the backsplash in the kitchen which features a rich chocolate brown range and hood by La Cornue. The glass and mirror backsplash over the range etched with a dandelion design is an unexpected touch. But the sweetest moment--perhaps in the entire Showcase--is what Navarra did with the unused space below the back staircase. Instead of making Harry Potter live there, she fashioned it into a luxurious doggie retreat! Food and water bowls and a faux-grass piddle pad are in pull out drawers beneath a sumptuous doggie bed (complete with bolster pillows!) surrounded by a mural that will make any doggie dream of walks in the great outdoors--or in the pastoral Presidio a block away!
Surely Alison Davin of Jute Design was inspired by the venerable Parisian patisserie Ladurée when she dreamt up her charming, light, airy salon de thé. It was originally a room that seemingly has no purpose: it is off the butler's pantry and before the dining room. So what to do? Paint it pale, pale green--vert français--install a bar with a selection of delectable teas, and put French macarons under a cloche. And the silver leafed ceiling bounces the light around. It is just lovely...and truly does resemble a Ladurée.
The dining room, entitled "Street Soirée" might be my favorite room in the Showcase this year. This mind-boggling statement room by the lovely Cecilie Starin (who was absolutely delightful to talk with--I spent quite a long time with her...thank you Cecilie!) is a mash-up of old and new in the best possible way. She took a Louis XV and Louis XVI sensibility as her jumping off point but mixed in what I think is the perfect 21st century answer to the gilt and Rococo-ness of a traditional dining room: the curlicues and undulations of the work of celebrated street artist Ian Ross. She commissioned from him a black and white design that he executed on canvas which was then wallpapered onto the walls. His art pieces of empty spray paint cans brings a bit of color to either side of the fireplace. Gorgeous touches: a black and white striped ceiling, rich gold curtains, a table made from a tree trunk and galvanized steel, and Louis XVI chairs in black patent leather with a contrasting back of cut velvet. But her true genius lies in her lighting choices: the arresting circles of concentric brass over the table, and especially the incredible biomorphic sconces of brass and waxed parchment.
Brittany Haines created "His Office" to be a masculine statement without resorting to "masculine cliches" and she hit it bang on. A custom made desk of charred wood cedar planks (a centuries-old Japanese technique called shou sugi ban) and steel legs takes center stage in front of a bookcase in stately Regent Green from Benjamin Moore. Elegant and light but not flowery at all...and the flush mount ceiling lights had chicken wire discreetly embedded in the glass!
Sometimes the most successful rooms also feel a little off balance, a little off kilter in terms of design elements. Every room should have aspects that are unexpected or "off"...it is what makes design interesting and valuable. And Will Wicks created a fascinating master bedroom. Wicks says in the Showcase program, "The tension between traditional and modern, the dichotomy of deep rich color and soft feminine tones, drive the design of the Master Bedroom and Entry...Layers of texture in colors of cream and pale grey with accents of pink, green, burgundy, and black, keep this room cozy, but with a distinctive edge."
The deep green walls do bring a distinctive edge. And there is an alluring sensory experience in the form of natural, animalistic motifs in the room too...the carpet has an ostrich skin look, the chaise and headboard are of a fur-like material, the drapes feature an appliqué of a material reminiscent of cut guinea fowl feathers, and a horse-hair mobile dangles by the bedside.
And I really love the brass sabre-leg bench of woven leather. Simply exquisite.
The master bath is a tour de force of pattern and material by Tineke Trigg. Inspired by the cover of a vintage issue of Vogue magazine from the 60s, the predominantly black and white room benefits from a dose of green and gold. Trigg designed the custom tile floor, and the ombré curtains are delicious with their Chinese brass tie backs. The rest of the space boasts graffiti-like art painted directly onto the walls of the water closet, and very special sinks from Kohler's Artistic Series. A wild architectural oddity of this room is the shower that can be entered from either the bathroom side or the dressing room side (last photo)!
Lest the man of the house feel left out, Eche Martinez designed a "Gentleman's Lounge" in shades of grey. The focal point of the room is a triptych of an oversized mural from a 19th century Acadia arboretum etching. What caught my eye--aside from the life-sized blue artist's mannequin--was the croc wallcovering (I am currently using this very wallcovering in silver-grey for a client's master bathroom!) and the vintage 1960s Italian table lamps.
The white subway tiles in the adjacent gentleman's bathroom by Evars + Anderson are a great background to the navy blue 3D striated wallcovering. And the shower enclosure of steel framed panes is quite handsome.
The boy's bedroom was a collaboration between Willem Racké and Susan Lind Chastain. Racké brought a special lacquered ombré stripe to the walls and a Venetian plaster finish to the ceiling while Chastain created the bedding from a fabric by Jean Paul Gaultier.
And the boy's bathroom by Greg De Meza was full of whimsy with a blue mosaic of different sized squares spilling out of the shower and puddling at the base of the vanity like so much water a young man might drip after a shower. The shower wall and niche are lit by a concealed LED strip.
Instead of the usual predictable primary colors for a kid's playroom, Allison Caccoma used sophisticated shades and tones of primary colors in this multi-purpose space that is fitted with an art table, a ballet barre, and a Karaoke machine! The walls are covered in ultrasuede.
And speaking of playrooms, Jeff Schlarb and his design firm Green Couch created a truly wild adult playroom they call the "Pent Room." Done all in deep plum, the space features a billiard table with plum colored billiard balls guarded by a golden alligator skeleton dripping with gold chain "moss." And in a corner, Schlarb used a large round version of the biomorphic sconces Cecilie Starin used in her "Street Soirée" dining room!
Double score for Evars + Anderson! Not only did they outfit the gentleman's bathroom, they got to kit out the laundry room as well! Trompe-l'œil butterfly wallpaper, black and white penny round tiles on the floor, and a chunky granite counter top that runs up and over the washer and dryer make laundry time delightful!
The girl's bathroom by Nest Design Co., Inc. made perhaps one of the biggest splashes at the Showcase this year thanks to a wild and fun wallcovering of lips in various fashionable shades. But this is not a gimmicky room. The calacatta marble slabs cut on the bias and laid in a herringbone pattern lay the foundation for a classic, elegant bath. The linear drain in the shower means no curb is needed, allowing for an uninterrupted floor flow through the space. And the custom inlaid horn vanity adds a touch of glamour.
And finally, the wine cellar by Jane Richardson Mack and John Romaidis resembles an Art Deco speakeasy with its glowing coppery barrel vaulted ceiling and verre églomisé and lizard panels.
This year's Showcase is a lot of fun, and as always, provides loads of inspiration and eye candy. If you are in Northern California, do try to drop by to see it all! It runs through May 25, 2015. Check out their site for more info:
http://decoratorshowcase.org/
This year's crop of designers did outstanding work and the intriguing design sensibility started with the entry by Candace Barnes. Her decision to install an extremely large-scale painting obscuring the stairway was a bold one. But when approached from a design standpoint, there was really no other way to make a statement and ultimately, it works very well, anchoring the space and establishing a backdrop of a color and texture that is carried throughout the rest of the entryway with quartz obelisks on a zinc console table and a pair of croc-covered stools. The Japanese maple is a brilliant touch to balance out the stairwell entrance on the opposite side. And the cherry on the cake of her entire foyer is a marvelous Lasvit glass-rod chandelier. Gorgeous.
Some years there are rooms that grab me the moment I see them and I end up just standing there, taking it all in for quite a while before I even begin to come to my senses. Julie Rootes' powder room was such a space for me, but being a powder room made it all the more difficult for me to stand stunned since, as I reminded myself while hogging the tiny space, "Other people need to see the room too, Jeff..." There is so much amazing texture and interest in such a small space here. Below the wainscoting is a 24-karat gold and onyx mosaic tile topped with a wallcovering in similar tones. The vanity is of a rough-hewn calacatta gold marble. And to echo the unique honeycomb design in the wallcovering, Rootes custom made a similarly shaped gold-leafed metal niche to house lovely objects. Wow.
This year's living room is an homage to Yves St. Laurent designed by Phillip Silver. It is elegant and tailored like a St. Laurent piece, but the overriding motif seems to be minerals and gems. Amethyst geodes appear over the fireplace, two floor lamps made of selenite flank the grand window, decorative glass objects faceted like jewels lay about, and furnishings come in modest jewel tones like citrine and carnelian. Even the camel colored draperies are lined with a soft, serious pink. The chandelier in the center of the room is a silvered branch dripping with crystal drops.
The inviting family room/kitchen area is full of surprises. Kathleen Navarra layered a lot into the open plan area but it does not feel busy or burdened. The first thing I noticed when I walked in was the glorious high-gloss turquoise ceiling! Beautiful pendants and perfect drapery fabric make the eat-in area stand out. The mosaic tile wall behind the flat screen TV carries across the wall and becomes the backsplash in the kitchen which features a rich chocolate brown range and hood by La Cornue. The glass and mirror backsplash over the range etched with a dandelion design is an unexpected touch. But the sweetest moment--perhaps in the entire Showcase--is what Navarra did with the unused space below the back staircase. Instead of making Harry Potter live there, she fashioned it into a luxurious doggie retreat! Food and water bowls and a faux-grass piddle pad are in pull out drawers beneath a sumptuous doggie bed (complete with bolster pillows!) surrounded by a mural that will make any doggie dream of walks in the great outdoors--or in the pastoral Presidio a block away!
Surely Alison Davin of Jute Design was inspired by the venerable Parisian patisserie Ladurée when she dreamt up her charming, light, airy salon de thé. It was originally a room that seemingly has no purpose: it is off the butler's pantry and before the dining room. So what to do? Paint it pale, pale green--vert français--install a bar with a selection of delectable teas, and put French macarons under a cloche. And the silver leafed ceiling bounces the light around. It is just lovely...and truly does resemble a Ladurée.
The dining room, entitled "Street Soirée" might be my favorite room in the Showcase this year. This mind-boggling statement room by the lovely Cecilie Starin (who was absolutely delightful to talk with--I spent quite a long time with her...thank you Cecilie!) is a mash-up of old and new in the best possible way. She took a Louis XV and Louis XVI sensibility as her jumping off point but mixed in what I think is the perfect 21st century answer to the gilt and Rococo-ness of a traditional dining room: the curlicues and undulations of the work of celebrated street artist Ian Ross. She commissioned from him a black and white design that he executed on canvas which was then wallpapered onto the walls. His art pieces of empty spray paint cans brings a bit of color to either side of the fireplace. Gorgeous touches: a black and white striped ceiling, rich gold curtains, a table made from a tree trunk and galvanized steel, and Louis XVI chairs in black patent leather with a contrasting back of cut velvet. But her true genius lies in her lighting choices: the arresting circles of concentric brass over the table, and especially the incredible biomorphic sconces of brass and waxed parchment.
Brittany Haines created "His Office" to be a masculine statement without resorting to "masculine cliches" and she hit it bang on. A custom made desk of charred wood cedar planks (a centuries-old Japanese technique called shou sugi ban) and steel legs takes center stage in front of a bookcase in stately Regent Green from Benjamin Moore. Elegant and light but not flowery at all...and the flush mount ceiling lights had chicken wire discreetly embedded in the glass!
Sometimes the most successful rooms also feel a little off balance, a little off kilter in terms of design elements. Every room should have aspects that are unexpected or "off"...it is what makes design interesting and valuable. And Will Wicks created a fascinating master bedroom. Wicks says in the Showcase program, "The tension between traditional and modern, the dichotomy of deep rich color and soft feminine tones, drive the design of the Master Bedroom and Entry...Layers of texture in colors of cream and pale grey with accents of pink, green, burgundy, and black, keep this room cozy, but with a distinctive edge."
The deep green walls do bring a distinctive edge. And there is an alluring sensory experience in the form of natural, animalistic motifs in the room too...the carpet has an ostrich skin look, the chaise and headboard are of a fur-like material, the drapes feature an appliqué of a material reminiscent of cut guinea fowl feathers, and a horse-hair mobile dangles by the bedside.
And I really love the brass sabre-leg bench of woven leather. Simply exquisite.
The master bath is a tour de force of pattern and material by Tineke Trigg. Inspired by the cover of a vintage issue of Vogue magazine from the 60s, the predominantly black and white room benefits from a dose of green and gold. Trigg designed the custom tile floor, and the ombré curtains are delicious with their Chinese brass tie backs. The rest of the space boasts graffiti-like art painted directly onto the walls of the water closet, and very special sinks from Kohler's Artistic Series. A wild architectural oddity of this room is the shower that can be entered from either the bathroom side or the dressing room side (last photo)!
Lest the man of the house feel left out, Eche Martinez designed a "Gentleman's Lounge" in shades of grey. The focal point of the room is a triptych of an oversized mural from a 19th century Acadia arboretum etching. What caught my eye--aside from the life-sized blue artist's mannequin--was the croc wallcovering (I am currently using this very wallcovering in silver-grey for a client's master bathroom!) and the vintage 1960s Italian table lamps.
The white subway tiles in the adjacent gentleman's bathroom by Evars + Anderson are a great background to the navy blue 3D striated wallcovering. And the shower enclosure of steel framed panes is quite handsome.
The boy's bedroom was a collaboration between Willem Racké and Susan Lind Chastain. Racké brought a special lacquered ombré stripe to the walls and a Venetian plaster finish to the ceiling while Chastain created the bedding from a fabric by Jean Paul Gaultier.
And the boy's bathroom by Greg De Meza was full of whimsy with a blue mosaic of different sized squares spilling out of the shower and puddling at the base of the vanity like so much water a young man might drip after a shower. The shower wall and niche are lit by a concealed LED strip.
Instead of the usual predictable primary colors for a kid's playroom, Allison Caccoma used sophisticated shades and tones of primary colors in this multi-purpose space that is fitted with an art table, a ballet barre, and a Karaoke machine! The walls are covered in ultrasuede.
And speaking of playrooms, Jeff Schlarb and his design firm Green Couch created a truly wild adult playroom they call the "Pent Room." Done all in deep plum, the space features a billiard table with plum colored billiard balls guarded by a golden alligator skeleton dripping with gold chain "moss." And in a corner, Schlarb used a large round version of the biomorphic sconces Cecilie Starin used in her "Street Soirée" dining room!
Double score for Evars + Anderson! Not only did they outfit the gentleman's bathroom, they got to kit out the laundry room as well! Trompe-l'œil butterfly wallpaper, black and white penny round tiles on the floor, and a chunky granite counter top that runs up and over the washer and dryer make laundry time delightful!
The girl's bathroom by Nest Design Co., Inc. made perhaps one of the biggest splashes at the Showcase this year thanks to a wild and fun wallcovering of lips in various fashionable shades. But this is not a gimmicky room. The calacatta marble slabs cut on the bias and laid in a herringbone pattern lay the foundation for a classic, elegant bath. The linear drain in the shower means no curb is needed, allowing for an uninterrupted floor flow through the space. And the custom inlaid horn vanity adds a touch of glamour.
And finally, the wine cellar by Jane Richardson Mack and John Romaidis resembles an Art Deco speakeasy with its glowing coppery barrel vaulted ceiling and verre églomisé and lizard panels.
This year's Showcase is a lot of fun, and as always, provides loads of inspiration and eye candy. If you are in Northern California, do try to drop by to see it all! It runs through May 25, 2015. Check out their site for more info:
http://decoratorshowcase.org/
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