Yesterday, on what would have David Bowie's 77th birthday, the city of Paris unveiled a renamed street in his honor. The newly christened rue David Bowie is in the 13th arrondissement, between the Jardin des Plantes botanical gardens and the National Library, and between two modern office buildings that include the headquarters of news outlets Le Monde and L’Obs. If you want to visit, the nearest Metro station looks to be Gare d'Austerlitz.
I posted the audio video of this song (previously here), but now here is the official video for the David Bowie classic "Five Years" by Duran Duran. The band released the cover last month as part of "Just For One Day," pianist Mike Garson’s Bowie tribute that took place on what would have been the late legend’s 74th birthday.
"David Bowie’s apocalyptic vision in the song 'Five Years' was written almost half a century ago yet it seems ever more poignant today," Duran Duran keyboardist Nick Rhodes said. "Although it is five years since David left Planet Earth, his vast catalog of songs remain as significant and inspirational as they always have been. Mike Garson’s heartfelt celebration show was a testament to the breadth of influence that David had on other musicians. It was also a display of the deep affection and gratitude for what he gave to us all."
The import of the narrative of this song always made me cry, but the fact that David is gone, and apparently we do really only have about five good years left, makes me weep...
For David Bowie's birthday today, Duran Duran have released a stunning cover of his song "Five Years" from the "Ziggy Stardust" album. It is a lovely, faithful cover (with one exception: DD thankfully changed a lyric to "queen"), Simon's voice sounds simply superb (maybe better than ever), and never have the lyrics been more relevant as it seems we really do only have about another good 10 years or so. Yeah, my brain hurts a lot.
Seeing as Thanksgiving is tomorrow, let's look at the glorious cornucopia photography of New York City-based artist Paulette Tavormina. She creates still lifes and tableaux that are in the style of seventeenth century Old Master painters. I love how she skillfully captures with lighting, composition, texture, and saturated color the exact feeling of such an old canvas.
Artist Statement:
"I have long been drawn to the seventeenth century Old Master Still Life painters Giovanna Garzoni, Francisco de Zurbarán, and Adriaen Coorte. I am particularly fascinated by Zurbarán's mysterious use of dramatic light, Garzoni's masterful compositions and color palette, and Coorte's unique placements of objects.
Seventeenth century Europe witnessed an explosion of interest in the natural world. Botanical encyclopedias from the period are records of the discoveries made on extensive explorations during this 'Golden Age' of global trading. Still life painters incorporated shells, insects, exotic fruits, and flowers found abroad alongside Venetian glass and Chinese porcelain. Their vignettes served as a tribute to newly discovered corners of the world. Worldly in their composition, these paintings also speak to universal themes as relevant then as now: the fragility of life and love, fleeting beauty and tempus fugit, the swift passage of time."
A wave of gentleness in an empty world of distance. Thylacine (previously here) has reworked Erik Satie's "Gymnopedie I" into a lovely track he calls simply "Satie I."
Spanish photographer Aurelio Monge creates tableaux and scenes in homage to classical painters and images of Greek and Roman gods and philosophers. I just love how he manipulates light and texture to accurately recreate such masterpieces.
His Beata Anima series is in homage to the painter El Greco. Notice how he poses his models and gets them to contort their hands into the exact poses seen on canvases from the Renaissance:
And he dedicates his Dei Filosofi series to "the great thinkers" like Plato.
Jimmy Sommerville (ex-frontman for Bronski Beat and The Communards) has a new release called "Homage," a collection of songs meant to evoke the disco days of the 70s. His first single "Some Wonder" starts off with the ascending strings from "Love's Theme" by the Love Unlimited Orchestra released in 1973, and moves on to feature a bass line that is right from pretty much every song by the hit-making super-group Chic ("Le Freak," "Good Times," "Everybody Dance"). And of course front and center is Sommerville's angelic falsetto, meant to pay tribute to the late Sylvester. For those of us old enough to recall the disco era (ahem) this should be a fun little romp.
"Oh, By The Way" is my digital scrap book of things I like, things I would share with a close friend and say: “Oh, by the way, do you know of this artist/ clothing or interior designer/ model/ singer/ actor/ gorgeous man… or, have you seen this video/ photo/ film... or heard (or do you remember) this song/ band... or, read this book/ poem/ inspiring quote... or, visited this place/ museum/ restaurant/ famous building... or, have you heard of this amazing new scientific discovery?”
I am dedicated to posting the positive, the fascinating, the beautiful, the interesting, the moving, and the inspiring and uplifting. Sometimes I post cultural as well as personal observations, milestones, and remembrances. And just like life, all of these things may often have a bit of melancholy or even sadness in them, which is what makes our time here so lovely and bittersweet and precious.
Some of the photos, art, poetry, and prose are my own original work, credited with my initials, JEF. When it isn't, I always try to post links to the original source material, but often I find photos on the web that are not linked or other material that is not sourced. In these instances, I post them without malice since it is assumed that such things, by being globally posted on something as uncontrollable as the internet to begin with, are in the public domain. If you identify the source of an image that is not linked, please politely let me know (without accusing me of theft) and I will be happy to provide a link. If you are the owner of an image and would prefer it be removed, I am happy to do that as well.
I hope to inspire and entertain my readers with things that inspire and entertain me. There is a startling amount of beauty and creativity in the world and it enriches us all to participate in it.
All-time Favorite Films
2001: A Space Odyssey (Kubrick)
After Hours (Hysterical, hair-raising ride through NYC at night)
Amelie
American Beauty (Alan Ball)
Baraka (Stunning, transcending—the "spiritus mundi" on film)
Belle et Bete (Cocteau)
Big Sleep, The (The epitome of film noir)
Bringing Up Baby (Hepburn & Grant—the epitome of screwball comedy)
Cook, The Thief, His Wife, and Her Lover, The (Greenaway)
Crash (Cronenberg—DIFFICULT subject, not for everyone)
Don’t Look Now (Nicolas Roeg—ultimate modern gothic horror)
Drowning By Numbers (Greenaway)
Easy Rider
Edward II (Derek Jarman)
Erendira (From magic realist Marquez’ brilliant short story)
Eyes Wide Shut (Kubrick's last film)
Fearless (Jeff Bridges—life and death)
Funny Bones (Leslie Caron, Jerry Lewis, and the brilliant Lee Evans)
Holiday (Hepburn & Grant)
Howard’s End (The ultimate statement of the unfairness of class systems)
Hunger, The
Ice Storm, The
Inland Empire (David Lynch)
Interiors (Woody Allen's ode to Bergman)
Jetée, La (French short that inspired Gilliam's "12 Monkeys")
Jules et Jim (Truffaut)
Juliet of the Spirits (My favorite Fellini)
Kwaidan (4 Japanese ghost stories)
L’Age d’Or (Bunuel)
Last Temptation of Christ, The (Jesus was a shaman)
Latcho Drom (Beautiful visual documentary of Romany culture around the world)
Lion in Winter, The (Hepburn!—Like “Who’s Afraid of Virginia Woolf” but circa 1183)
Living End, The
Logan's Run
Lost Highway (David Lynch)
Magnolia
Maurice (Boy gets boy, they live happily ever after!!!!!)
Men Don’t Leave (Jessica Lange’s gorgeous delicate performance)
Mirror, The (achingly beautiful stream of consciousness Tarkovsky)
Nights of Cabiria, The (Fellini)
Orlando (Tilda Swinton’s pristine performance and Sally Potter’s ravishing visuals)
Orphée (HEAVEN! Cocteau was a genius)
Pennies From Heaven (Steve Martin/ stunning Edward Hopper sets!)
Philadelphia Story, The (Hepburn)
Pillow Book, The (Greenaway)
Planet of the Apes (1968...NOT 2001!)
Postman Always Rings Twice, The (Nicholson/Lange--WOW)
Prospero’s Books (Greenaway)
Rebel Without a Cause ("I got the bullets!")
Satyricon (Fellini)
Shining, The (Kubrick)
Solaris (atmospheric, haunting Andrei Tarkovsky sci-fi)
Stalker (chilling Andrei Tarkovsky sci-fi)
Thin Red Line, The (Terrence Malick--existential poetry cleverly disguised as a war film)
Titus (Julie Taymor does Shakespeare)
Tommy (Brilliant, audacious Ken Russell film of The Who's rock opera)
Tree Of Life, The (Terrence Malick masterpiece)
Un Chien Andalou (Bunuel and Dali, need more be said?)
Wall,The (Pink Floyd)
Wings of Desire (All the feelings of the entire human race in one film)
Woman of the Year (Dated yet charming Hepburn vehicle)
Zabriskie Point (Empty, open, classic early 70s)
ZOO, A Zed and Two Noughts (Greenaway)
The Sounds My Soul Makes: Music
Annie Lennox
Brian Eno
Cocteau Twins
David Bowie
David Sylvian
Dead Can Dance
Durutti Column
Elbow
Everything But the Girl
Gang of Four
Gem Club
Goldfrapp
Joni Mitchell
José González
Junip
Kate Bush
Laurie Anderson
M83
Morrissey
Nine Inch Nails
Peter Gabriel
Peter Murphy
Rickie Lee Jones
Sigur Ros
Simple Minds
Smiths, The
Sufjan Stevens
Talk Talk
Tears For Fears
This Mortal Coil
Tori Amos
Ultravox
William Orbit
Zero 7
Important Books That Have Influenced Me
100 Years of Solitude—Gabriel Garcia Marquez
A Wrinkle in Time, A Wind in the Doorway (for young people but worth it)—Madeleine L’Engle