Showing posts with label disco. Show all posts
Showing posts with label disco. Show all posts

Friday, March 21, 2025

Neal Francis

Now it's time for you to meet Neal Francis. He released his first album in 2019, sounding like a retro 70s cross between Elton John and Little Feat. Now his new album "Return To Zero" has him echoing more 70s rock but progressing into later funk and disco sounds as well. Accompanied by the wonderful retro disco band Say She She, here are a few of his new songs that just strike me so right...

"Don't Wait" sounds like an echo of some of that fabulous late 70s/early 80s jazz-soul-disco-funk like "Street Life" by The Crusaders or "Forget Me Nots" by Patrice Rushen.


And "Need You Again" brings a bit more funk and actually makes me think of KC and the Sunshine Band...


Finally, "Broken Glass" veers the funk back into rock territory, complete with a backing vocal line in the chorus lifted right from the awesome, classic "Magic Man" by Heart.


Photo by Jack Karnatz

https://www.nealfrancis.com
https://www.saysheshe.com/

Wednesday, January 3, 2024

"Stayin' Alive" by Chris

Chris from Christine and the Queens has recorded a cover of the classic Bee Gee's disco song "Stayin' Alive" and it is merely awesome.


https://www.christineandthequeens.com/

Saturday, August 13, 2022

"Free Yourself" by Jessie Ware

Having grown up in the days of disco, I am just loving the Neo-Disco moment that seems to be in the zeitgeist, fueled for a while now by Melvo Baptiste's Glitterbox show and all the young DJs and producers remixing classic tunes by the likes of Sister Sledge, Sylvester, and Gino Soccio. So of course I am LOVING this new release by Jessie Ware (previously here), the unofficial Queen of Neo-Disco. Yes, I know Beyoncé just released "Renaissance" and all 16 tracks are currently on the Billboard 100 but where Beyoncé is working in a 90s House tradition, this track by Jessie Ware seems to be a little more aligned with authentic, classic, late-70s disco. Called "Free Yourself," the lyrics and sense of the song feels as if it would be right at home in the freedom-seeking late 70s. I swear I could have heard this on the radio in 1978 right after Donna Summer's "Rumor Has It" and before Voyage's "Souvenirs." And I would have rushed to the record store to buy the 45 (what's a 45? Google it, kids)...



https://www.jessieware.com/

Tuesday, August 3, 2021

Dee Gees

Out of nowhere, Foo Fighters became Dee Gees, a Bee Gees tribute band and it is absolutely delightful. Far from novelty or parody, Dave Grohl and the band actually enhance these original disco classics (I grew up with these songs) and make them wholly their own. Here is "You Should Be Dancing," "Night Fever," and "Tragedy." These songs appear on side one of their album "Hail Satin." MARVELOUS!




https://www.foofighters.com/

Saturday, June 5, 2021

"Please" by Jessie Ware...LIVE!

Regular readers may recall that I posted this song, "Please" by Jessie Ware last month here and I still love the glorious, nostalgic, disco sound tinged with a 90s club vibe. Here she is performing her song on The One Show in the UK...and for those requiring proof that she can actually sing, take note that her voice sounds fantastic live.


https://www.jessieware.com/

Friday, May 14, 2021

"Please" by Jessie Ware

Oh, I just love Jessie Ware (previously here) and her glorious, nostalgic, disco sound tinged with a 90s club vibe, but perfect for right now. Listen to this dance fantasia "Please" from the Platinum Pleasure version of her album "What's Your Pleasure?" So much fun.



https://www.jessieware.com/

Wednesday, June 5, 2019

Searching For Disco's Cro-Magnon by Jason Heller

Since I am old enough to have loved disco the first time around, here is a great article from NPR about tracing the roots of disco to the 60s and early 70s. Yes to "Soul Makossa!"

Searching For Disco's Cro-Magnon
June 4, 20196:00 AM ET
JASON HELLER

An apparatus that produces a colorful bubble light display covering dark walls and ceiling beneath a large shimmering disco ball, 1960s.

When, exactly, was disco born? Was it when Billboard magazine began tabulating a chart devoted specifically to dance music in 1974? Or is that the tail wagging the dog, since armies of club DJs had been playing dance-conducive rock and pop music in discotheques since the '60s? And to put a finer point on it, what was actually the first disco song? We know all the big artists and hits of the original disco era, from The Bee Gees' "Stayin' Alive" to Donna Summer's "Hot Stuff." But where did that sound come from: those sweeping strings, the lush funkiness, the hi-hat-heavy beat?

In 1969, a forgotten Chicago soul band called The Radiants released a song titled "Choo Choo," a superbly danceable soul song with a funky, atmospheric guitar riff; a minimal, instrumental breakdown; and a funky, shuffling beat. Everything about "Choo Choo" screamed "disco," except for the fact that the production had a '60s rawness rather than the disco polish of the '70s. As it turns out, it was written and produced by Bobby Miller, who eventually wound up at Motown, working with former Temptations singer Eddie Kendricks on the latter's shimmering, proto-disco song "Date With The Rain" from 1972. And the Chess session drummer who played on "Choo Choo" was none other than Maurice White, the future leader of the iconic disco band Earth, Wind & Fire. Here, I thought, after finding The Radiants' single while searching through my record collection for an answer, was a promising candidate for disco's patient zero.

If only it were that clear-cut. In Vince Aletti's The Disco Files 1973-78, the author points out that the first records played by disco DJs in dance clubs in the early '70s weren't what we could consider disco at all — songs such as The Temptations' 1972 hit "Papa Was a Rolling Stone." Peter Shapiro, in his book Turn the Beat Around, points out that Led Zeppelin was a staple in early-'70s disco venues like David Mancuso's The Loft in New York, a startling fact corroborated by Tim Lawrence in his history of American dance culture, Love Saves the Day.

The book Last Night a DJ Saved My Life, by Bill Brewster and Frank Broughton, notes how Santana records — with their heavy Latin syncopation — were often spun in nightclubs at the dawn of disco. And in her book Hot Stuff, disco scholar Alice Echols says that before the word "disco" came into wide usage as a name for the musical genre around 1974, the much broader terms "party music" and "discotheque rock" were being spoken.

Still, part of me wanted to find disco's Big Bang. So I asked a few of the authors of the books I was researching what they thought the first disco song might be. Naturally, I put forward my theory that "Choo Choo" by The Radiants might be the culprit. Said Echols in reply, "The first disco record? What a daunting task! I think 'Choo Choo' would have some competition. The Temptations' 'Cloud Nine' has more prominent cymbal work, including a tense, sizzling hi-hat intro, and it does sport a more conventional disco beat, at least briefly towards the song's end. Of course, neither song sounds very much like 'disco.' I suppose I am more interested in understanding disco music's 'unlikely sources and curious syncretisms' than in identifying the first disco track."

Fair enough. Tim Lawrence's response to my question was a similar mix of helpful and discouraging. "Without wishing to sound like a pedant, I'm not sure how useful it is to try to nail down the first [disco] record," he told me. But he was generous enough to suggest a couple of the seminal records that he feels come close to being the seeds of disco. "In Love Saves the Day, I argue that one of the defining features of disco was the four-on-the-floor bass drum, and that this was most obviously pioneered by Earl Young on records such as [Harold Melvin & the Blue Notes' 1973 song] 'The Love I Lost.' That record also contained a number of disco elements. I quite like suggesting that Manu Dibango's 'Soul Makossa' was the first disco or discotheque record, in part because it wasn't obviously a disco record yet nevertheless brought the phenomenon into focus."

"'Soul Makossa' created a storm when David Mancuso started to play it at The Loft," Lawrence went on. "Other DJs started to play it as well. Then dancers went out looking to buy it. The interest resulted in 'Soul Makossa' being the first record to enter the [Billboard] Hot 100 thanks to play by party DJs, because the record entered the charts without receiving any play on US radio. In this sense, 'Soul Makossa' is the first discotheque record, or is the first record that was indelibly associated with the discotheque dance floor and the new array of sounds that, when recurring elements were merged together, would go on to be the foundation of disco."

For his part, Bill Brewster chose "Girl You Need a Change of Mind" — a gorgeous song from Eddie Kendricks' album People... Hold On, the same that features the Bobby Miller-produced "Date With The Rain" — as the ground zero of disco. Brewster said, "Vince Aletti has always claimed that 'Girl You Need a Change of Mind' is the prototype, and I've not heard anything else that contradicts that suggestion. The elements to it are a gospel influence, the way it's arranged [by Frank Wilson], the use of strings, the breakdown and buildup (which is straight out of the church). I've not heard anything prior to that that covers so much of what this songs does in terms of structure and template."

So the experts agree to disagree. The response makes sense, considering disco's hazy past. It was a genre that came together in the musical underground, in gay clubs in the wake of Stonewall, in African-American hotspots at the time of Black Power. It wasn't being documented in real-time on social media like so many of today's emerging genres. And at first, the disco scene wasn't focused on creating songs that could easily fit into a preconceived sound. Rather, early disco DJs prided themselves on their mixes of preexisting songs, which were as ephemeral as the nights they soundtracked.

Disco, as a genre, was spontaneously and collectively created to fill a pressing need on the dancefloors of the early '70s. Sexual and racial liberation were increasing in urgency. Hippie idealism had taken a disillusioned turn. And above all, the Vietnam War continued to weigh greatly on the soul of America. People were desperate for the freedom of disco long before disco, as an identifiable form of music, existed.

This unique origin story makes disco's family tree harder to pin down than other genres. My quest to find the form's first song left me less convinced that the question was even answerable. The Radiants' single may have the right musical ingredients, but since it wasn't a staple of disco DJs and dancefloors, its claim is far less legitimate than songs like, say, "Cloud Nine," which sound far less disco-esque in retrospect.

But maybe the fact that the waters of disco will always be muddy is a good thing. Genres are convenient, for sure, and people would have a hard time dissecting and comparing music without them. But sometimes we confuse the map for the territory. The term "disco," like all genre tags, are simply tools. And imprecise tools at that. Art, after its creation, has its own life, and it can predate, evade, and transcend any fence we try to put around it. In the case of disco, the fun of investigating its origin comes with an inherent futility. Is it even worth asking precisely where disco began? It's a little frustrating, but then again, the praxis of history often is. Luckily, diving into the origins of disco only left me with a deeper appreciation for the form, not to mention an even deeper playlist of great music, regardless of what it's called.

So will disco celebrate its fiftieth anniversary in 2019? Or in 2022, 2023, or some other year entirely? Maybe a better question would be, can we celebrate disco — and all genres of music we love — as living and breathing forms that are as vibrant and vital now as they ever were?

Link to original article:
https://www.npr.org/2019/06/04/726180343/searching-for-discos-cro-magnon

Friday, June 19, 2015

"Like A Fool" by Crazy P

Loving this!

Perfect for dancing by the pool on a warm, sultry night, this hot, funky, groovy, smooth, and dreamy track, "Like A Fool" by Crazy P (Danielle Moore, Chris Todd, and James Baron) is the winner for my annual Summer Song, winning out over "Golden Touch" by Namie Amuro previously here.



http://crazyp.co.uk/

Wednesday, June 3, 2015

Paper Moon Graphics Greeting Cards

I wonder how many of my readers are old enough to remember the 1970s and 80s sensation that was Paper Moon Graphics greeting cards? Their airbrushed, retro, "New Wave," disco sensibility was tons of fun and visually supported a lot of cultural changes that were happening in those decades. They were sold in "cool" and alternative gift stores...take a look...


The great illustrator Mel Odom created this marvelous image called "Jennifer" for Paper Moon in 1979.


Disco and Roller Disco was obviously HUGE in the late 70s and even into the early 80s. I loved these airbrushed images of disco couples, one of them comic and the other sexy...I SO wanted a satin tuxedo like this first image. I already had a shiny acrylic belt that looked like bands of metal...


When I was entering my teenage years, we moved from the east coast to California. It was 1979 and I had been dreaming of moving to the land of film studios and cool clothes. It seemed to be where anything "cool" was from. These images only whetted my appetite for my new home and when I arrived, I was thrilled to find that, while obviously stylized, the images were somewhat accurate! I still adore living here and after nearly forty years, I am proud to say I am a true Californian!


There was a real "Retro" movement in the late 70s and early 80s, fueled by a kind of punk/"New Wave" interest in graphic imagery from the 1950s (you can even see it in the disco images above with the skinny tie, and cat eye sunglasses). I went to more than a few dance clubs in the early 80s that projected cut-up and collaged instructional/educational/public service and corny B science fiction films from the 40s and 50s. There was something fascinating about dissecting these seemingly naĂŻve cultural artifacts, and dancing under film clips showing children how to "duck and cover" in case "The Reds" decided to drop some bombs. But the irony of course was that we were still living in the Cold War, worried about mutual nuclear annihilation.

Wednesday, May 6, 2015

R.I.P. Errol Brown


Errol Brown, former lead singer of Hot Chocolate has passed away at the age of 71 at his home in the Bahamas. He will most likely be remembered for singing "You Sexy Thing" but for me, his hit song will always be "Every 1's A Winner," a song that, despite it being released in 1978 and sounding like a disco song, was not really a disco song. It is a strange confluence of genres: disco with its chilly synth texture in the background, funk with its bass line and vocals by lead singer and songwriter Errol Brown, soul with its chorus of fantastic black back-up singers, and rock and roll with its blistering--and absolutely genius--guitar riff played by Hot Chocolate band member Harvey Hinsley using a Roland GR-500 which gives it that crispy, buzzing quality. Brown was awarded an MBE (a Member of the Order of the British Empire) by HRH Queen Elizabeth II in 2003 for "services to popular music," and he and his band played at Charles and Diana's pre-wedding reception at Buckingham Palace.


R.I.P. Mr. Brown.

http://www.errolbrown.com/

Monday, March 16, 2015

"Some Wonder" by Jimmy Sommerville

Jimmy Sommerville (ex-frontman for Bronski Beat and The Communards) has a new release called "Homage," a collection of songs meant to evoke the disco days of the 70s. His first single "Some Wonder" starts off with the ascending strings from "Love's Theme" by the Love Unlimited Orchestra released in 1973, and moves on to feature a bass line that is right from pretty much every song by the hit-making super-group Chic ("Le Freak," "Good Times," "Everybody Dance"). And of course front and center is Sommerville's angelic falsetto, meant to pay tribute to the late Sylvester. For those of us old enough to recall the disco era (ahem) this should be a fun little romp.



http://www.jimmysomerville.co.uk/

Wednesday, March 5, 2014

Currently listening to...

...the British act Hot Chocolate perform "Every 1's A Winner." Wow, this song really holds up after all these years. It came out in 1978 (I bought the 45 the day I heard it on the radio--oops, sorry, a "45" was a 7" vinyl record for those born too recently), and although it was played in discos, it was not really a disco song. It is a strange confluence of genres: disco with its chilly synth texture in the background, funk with its bass line and vocals by lead singer and songwriter Errol Brown, soul with its chorus of fantastic black back-up singers, and rock and roll with its blistering--and absolutely genius--guitar riff played by Harvey Hinsley using a Roland GR-500 which gives it that crispy, buzzing quality. Take a listen and get your groove on, kids...


Hot Chocolate broke up but reformed with a different lead singer.
http://www.hot-chocolate.co.uk/

Here is Errol Brown's site:
http://www.errolbrown.com/

Tuesday, December 18, 2012

Currently listening to...

...the luscious "dark disco" sound of "Blind" by Hercules and Love Affair with vocals by Antony Hegarty. It popped up on my playlist a few hours ago and I have had it on repeat for a while now...



As a child I knew
that the stars could only get brighter
then we would get closer
get closer
mmm mmm

As a child I knew
that the stars could only get brighter
then we could get closer
leaving this darkness
behind

Now that I'm older
the stars shed light upon my face
but when I found myself alone
find myself alone

Now that I'm older
the stars shed light upon my face
but when I found myself alone
I feel like I, I am blind

Feeling
Feeling
Feeling
Feeling
like I am blind

I wish the stars could shine now
For they are closer, they are near
But they will not present my presence
they will not present my presence

I wish the light could shine now
For it is closer, it is near
But it will not present my presence
And it makes my past and future painfully clear

To hear you now
To see you now
I can look outside myself
I must examine my breath
I look inside
ooooh

To hear you now
To see you now
I can look outside myself
I must examine my breath
and look inside
Because I feel blind
Because I feel blind

Feeling
Feeling
Feeling
Feeling
like I am blind

http://herculesandloveaffair.com/

Friday, May 18, 2012

R.I.P. Donna Summer


I grew up listening to her music, and looking back on it all I can see that her catalog makes up a surprising amount of the soundtrack of my life.

http://www.donnasummer.com/