Happy Birthday, Iva Davies of Icehouse!

A very happy birthday to Mr. Iva Davies, founder, lead singer, multi-instrumentalist, and immensely talented songwriter of the Australian band Icehouse.

I am feeling great love and nostalgia for this 1980 song from their debut album. Not only is Icehouse the name of the group, having changed it from their original name Flowers, but the song itself is also titled "Icehouse." Although Icehouse was never truly seen as a New Romantic band (yet they were tagged with the catch-all New Wave title by some), I sure felt they belonged with other fantastic New Romantic groups like Ultravox. The "Icehouse" song and their debut album (as well as their sophomore album "Primitive Man") was an atmospheric, synth-heavy affair with a marvelous use of texture. The accompanying video resembles New Romantic classics like Ultravox's "The Thin Wall" and "The Voice," and even Kim Carnes' "Bette Davis Eyes" and "Draw Of The Cards," all directed by Australian film director Russell Mulcahy. Follow this haunting, touching narrative that beautifully supports the chilling, profound lyrics and aching, moving melody.

It's always cold inside the icehouse
Though the rivers never freeze
There's a girl outside the icehouse
I can see her clearly though the trees

Now she's dreaming of a new love
And she hopes he'll be there soon
She's got so long to wait for him
Because he needs another year to get there

She'll wait another lifetime out there

There's no love inside the icehouse

The devil lives inside the icehouse
At least that's what the old ones say
They say He came along time ago
He came here in the winter snow
Now it's colder every day

But she's still dreaming through the summer
And she's hoping through the spring
She says she's got no time for winter nights
She doesn't notice as the days grow darker
She can't remember getting any older

There's no love inside the icehouse

 
Now she's dreaming of a new love
And she hopes he'll be there soon
She says she's got no time for winter nights
She doesn't notice as the days grow darker
She can't remember getting any older

There's no love inside the icehouse
There's no love inside the icehouse
The icehouse

Happy Birthday, Iva! Thanks for sharing decades of your music with us.

https://icehouse-ivadavies.com/

"Convocations - Meditations" by Sufjan Stevens

My god. I am nearly speechless. The angel Sufjan Stevens (previously here) has released a collection of ambient tracks that are some of the most profound sounds I have heard in a long while.

It may be tempting to reduce Convocations into a longform ambient anomaly within Sufjan Stevens’ vast catalogue. It is, however, neither an anomaly nor entirely ambient. This is not a side project. From his numerous dance scores for New York City Ballet to instrumental albums such as Enjoy Your Rabbit, Aporia, and The BQE, Stevens spends at least half his working life making largely instrumental music, as he has for decades. And though the first ten pieces, dubbed “Meditations,” unfurl as gorgeous states of reflective new-age grace, this is by no means an ambient enterprise. Stevens invokes the lessons of Morton Subotnick, Maryanne Amacher, Christian Fennesz, Brian Eno, and Wolfgang Voigt here. As musically erudite as it is emotionally experienced, Convocations can be dissonant, vertiginous, rhythmic, repetitive, urgent, or calm—that is, all the things we undergo when we inevitably live through loss, isolation, and anxiety.

Indeed, Convocations moves like a two-and-a-half-hour requiem mass for our present times of difficulty, its 49 tracks allowing for all these feelings to be felt. The album is divided into five sonic cycles, each replicating a different stage of mourning. Convocations occasionally soothes and sometimes hurts; when it’s done, you’re left with a renewed sense of wonder for being here at all.

In fact, Stevens made Convocations in response to (and as an homage to) the life and death of his biological father, who died in September last year, two days following the release of The Ascension. It is, then, ultimately an album about loss, and an album that reflects a year in which we have all lost so much. One could easily compare this project to Stevens’ album Carrie & Lowell, which he wrote following his mother’s death. But this is something entirely different. A new time, a new season, a new life lost, a new reckoning, a new kind of isolation, grief, despair, frustration, confusion, and the search for happiness and hope for the future. This is not a personal record, but a universal one. Convocations is built on a shared experience that seeks to be honest about how complicated grief can be in these difficult times—the pain, the anxiety, the unknown, the absolute joy of memory. This is also an album made in lockdown, when we were all cloistered in whatever space we had. So long as the science and statistics hold, Convocations arrives just as we begin to emerge from a year whose losses we will calculate for a lifetime. It is, then, right on time, as we begin to process our grief and try to carry on with it. 

—Grayson Haver Currin

The first of the five volumes, "Meditations," was released on April 8, 2021 and all ten tracks are posted below. "Meditation I" makes me weep.

The other four volumes, "Lamentations," "Revelations," "Celebrations," and "Incantations," are scheduled to be released by May 6, 2021.

https://sufjan.com/