Showing posts with label ceramic. Show all posts
Showing posts with label ceramic. Show all posts
Tuesday, March 10, 2026
BEAUTY: Ceramics--Hylton Nel
As South African conceptual artist, sculptor, and ceramicist Hylton Nel says of himself, "Been doing this for 50 years." Over that time, he has created a charming body of work but I am most drawn to his pieces featuring script. I love his sculptures and vases, but the plates are special: lovely works of art, but I would like to use them as functional plates as well...
https://hyltonnel.co.za/HOME
https://hyltonnel.co.za/HOME
Labels:
art,
artist,
beauty: ceramics,
ceramic,
ceramic sculpture,
ceramicist,
Hylton Nel,
plate,
plates,
sculptor,
sculpture,
South Africa
Wednesday, July 2, 2025
BEAUTY: Ceramic Sculpture--Louise Fulton
I am entranced by the incredible ceramic faces by Australian artist Louise Fulton. The variety of glazes, colors, textures, and shapes she employs makes each face so unique.
You can purchase one of her creations at her site!
https://louisefultonstudio.com/
You can purchase one of her creations at her site!
https://louisefultonstudio.com/
Labels:
art,
Australia,
australian,
beauty: ceramics,
beauty: sculpture,
ceramic,
ceramicist,
ceramics,
face,
Louise Fulton,
sculpture
Sunday, May 11, 2025
BEAUTY: Sculpture--Nadia Stieglitz
For her series Symbiotic, ceramic sculptor Nadia Stieglitz looked to the world of trees and fungi to create the wonderful, meandering, incised lines on her creations. She describes it in her artist statement for the series:
"I have been recently fascinated by the research of various scientists on the impacts of climate change on forests and the reliance of these ecosystems on the unseen work of fungus to adapt to it. My most recent work takes inspiration from mycorrhizal fungi – critical members of the plant microbiome that form a symbiosis with the roots of most plants on Earth. In my series 'Symbiotic,' the Sgraffito patterns etched onto the surface of mushroom-like shapes recall these complex networks that feed and support the functions of larger organisms. In their dormancy, these works remind the viewer that, despite appearances, there is always growth and circulation--life, ultimately, in stillness."
To see more of her work or to learn how to buy and commission pieces, visit her website:
https://www.nadiastieglitz.com/
"I have been recently fascinated by the research of various scientists on the impacts of climate change on forests and the reliance of these ecosystems on the unseen work of fungus to adapt to it. My most recent work takes inspiration from mycorrhizal fungi – critical members of the plant microbiome that form a symbiosis with the roots of most plants on Earth. In my series 'Symbiotic,' the Sgraffito patterns etched onto the surface of mushroom-like shapes recall these complex networks that feed and support the functions of larger organisms. In their dormancy, these works remind the viewer that, despite appearances, there is always growth and circulation--life, ultimately, in stillness."
To see more of her work or to learn how to buy and commission pieces, visit her website:
https://www.nadiastieglitz.com/
Friday, January 31, 2025
BEAUTY: Sculpture--Matias Karsikas
Finnish artist Mataias Karsikas' compelling series Rykelmä features a fantastic juxtaposition of wood with glass and ceramic. His Artist Statement explains:
"In the artworks titled Rykelmä, glazed ceramics and mouth-blown glass meet nature-shaped wood. The ceramics are mineral-like, the glass is pouring, and the wood is untreated. Instead of portraying figures and landscapes, abstract textures and diverse surfaces are drawn from nature, thus manifesting the essence of the natural world. The visual starting point for the pieces has been, for example, slime molds that grow in clusters on the surfaces of decaying trees. The viewer can perceive in the works the resin-dripping branch of a tree or the melting of a frost covered moss under the spring sun."
He sells pieces on his site!
https://matiaskarsikas.com/
"In the artworks titled Rykelmä, glazed ceramics and mouth-blown glass meet nature-shaped wood. The ceramics are mineral-like, the glass is pouring, and the wood is untreated. Instead of portraying figures and landscapes, abstract textures and diverse surfaces are drawn from nature, thus manifesting the essence of the natural world. The visual starting point for the pieces has been, for example, slime molds that grow in clusters on the surfaces of decaying trees. The viewer can perceive in the works the resin-dripping branch of a tree or the melting of a frost covered moss under the spring sun."
He sells pieces on his site!
https://matiaskarsikas.com/
Labels:
beauty: sculpture,
ceramic,
ceramicist,
ceramics,
Finland,
glass,
Matias Karsiaks,
nature,
organic,
sculptor,
sculpture,
wood
Friday, January 3, 2025
BEAUTY: Cermaics--Döppel Studio
Döppel Studio, the design duo of Lionel Dinis Salazar and Jonathan Omar are showing their "Néophore" project at the Paris art space ToolsGalerie until January 11, 2025.
ToolsGalerie says Döppel Studio "is interested in the shapes of antique jars and amphorae and their reinterpretation as luminous containers through the use of terracotta and a specific enamel. The light source becomes the essence of the reflection: like a material to be transported, it guides the shape of the container, inspires new uses and new objects. This work of contrast between light (here Neon) and terracotta leads Doppel Studio to collaborate with Aliénor Martineau of Alma Mater, a ceramist specializing in the manufacture of enamel based on natural minerals, to design a custom enamel that is sensitive to light. Between amphora, lamp and container, the exhibition invites you to discover a collection of atypical pieces that highlights through the object, as much the use and measurement systems of the first civilizations, as the cult of Prometheus (fire) and obviously, light, crossing or overflowing, as a material in its own right."
https://doppelstudio.fr/
http://www.toolsgalerie.com/
ToolsGalerie says Döppel Studio "is interested in the shapes of antique jars and amphorae and their reinterpretation as luminous containers through the use of terracotta and a specific enamel. The light source becomes the essence of the reflection: like a material to be transported, it guides the shape of the container, inspires new uses and new objects. This work of contrast between light (here Neon) and terracotta leads Doppel Studio to collaborate with Aliénor Martineau of Alma Mater, a ceramist specializing in the manufacture of enamel based on natural minerals, to design a custom enamel that is sensitive to light. Between amphora, lamp and container, the exhibition invites you to discover a collection of atypical pieces that highlights through the object, as much the use and measurement systems of the first civilizations, as the cult of Prometheus (fire) and obviously, light, crossing or overflowing, as a material in its own right."
https://doppelstudio.fr/
http://www.toolsgalerie.com/
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