Showing posts with label artist. Show all posts
Showing posts with label artist. Show all posts

Sunday, November 1, 2026

Bonne Fête de La Toussaint 2026!

Aujourd'hui est le jour de La Toussaint en France.

La Toussaint by Emile Friant (1863-1932)


Today is La Toussaint in France, a national holiday. Toussaint (pronounced "TOO-sawnt") is a combination of the word tous ("all" in French) and saint, meaning "All Saint's Day." The festival is closely related, in intent and spirit, to the Día de los Muertos (Day of the Dead) celebration in Latin cultures (previously here). It is a day to remember, celebrate, and honor departed loved ones and ancestors.

In France, the general population are not very religious, so this once-Catholic celebration has become a secular national holiday. People visit cemeteries to have picnics and to tend to the graves of family members and decorate them with chrysanthemums, a flower symbolizing death (a symbol shared with Day of the Dead); generally, the French do not use this flower for any other purpose.

Saturday, October 24, 2026

BEAUTY: Digital Art--Eric W. Brenner

Artist Eric W. Brenner says he "uses collage, digital painting, and computer manipulation to drag surrealism kicking and screaming into the 21st century, where it belongs." I concur and love his unsettling use of shape, color, and texture in these otherworldly portraits. Wonderful work!


You can buy prints of any of his work seen at his website!
https://www.ericwbrenner.com/

Friday, September 18, 2026

BEAUTTY: Art--Dahren Davey

I can't help but love Dahren Davey's wonderfully hued portraits ... and his freedom with color!


You can buy original pieces here:
https://dahrendavey.bigcartel.com/
But even better, you can buy tee shirts at:
https://dahrendavey.teemill.com/

I am getting this one, below. I love it!

Tuesday, August 18, 2026

BEAUTY: Painting--Aron Wiesenfeld

I have been appreciating the unsettling work of painter Aron Wiesenfeld for some time now and can't believe I have not shared him with you yet. I love his eerie narratives of a single person in a lone desolate spot, probably in some form of peril ... ... his unease with tunnels and what they mean psychologically is a recurring motif, as is the imagery of people (often adolescents or children) in snow wearing clothing clearly not meant for cold weather. They work like film stills, asking more questions about the spooky circumstances we are seeing than they answer.


Top to bottom: The Wedding Party; Turning Back, Tunnel; Transfer; Train Tunnel; Shell; The Settlers; The River; The Return; The Oathbreakers; Night Grove; Limbo; The Lesson; Hackers; The Garden; Entrance; Border: A Late Arrival

https://aronwiesenfeld.com/

Thursday, July 23, 2026

"Lizard" by Pedro Arizpe

When I saw this incredible graphic story by Pedro Arizpe of Portsherry, I flashed on my own childhood. I was born in New York state and went to school there through second grade. The curriculum at that time in New York valued reading and writing skills over math, which was planned to come later. But when we moved to Florida, the state approached math skills first, and I was totally lost. Having no foundation, teachers would just explain the same thing to me over and over, sometimes raising their voices as though yelling at someone who speaks a foreign language. No one bothered to assess why I could not grasp what they were trying to drill into my head. There was no foundational learning for me, I just had to jump in and pretend that, yes, of course, the answer is lizard, when what I was really screaming in my head was "How did you get LIZARD?" When you are a child, you don't know what you don't know. As an adult looking back on this, I see it clearly and I would love to go back in time and tell the entire school administration, "What the eff are you thinking? You call this is teaching? This is just creating trauma and a crisis of self-confidence."

What was most galling was that my New York-taught reading comprehension and writing skills were a few grade levels ahead of where they were in Florida and the other students in my class were embarrassingly bad at reading or writing, but no one seemed to care about that. To me, the students were bad, but for the teachers, they were where they should have been given the curriculum. Teachers saw I scored consistently high in English, but they weren't looking to those metrics for any measure of my general intelligence or understanding. As far as they were concerned, I was a sorry, slow, and maybe even special-needs learner, which of course was not the case at all. But I was treated like I was. So math class--and any extra "tutoring" I got--always ended up looking exactly like the story below...


Pedro, thank you so much for showing this so explicitly and giving it a name: INSTITUTIONAL NEGLIGENCE.

https://portsherry.com/comic/lizard/