The system's typography for all signage and the tubular, curved metal handrails were created in 1964 by Franco Albini, a Neo-Rationalist architect, designer and university instructor in design. So Massimo Giorgetti used these elements as well as photographs of trains speeding by platforms as fodder for a clean-lined collection that relied heavily--naturally--on the fire-engine red seen on the handrails. The curved shape on a full-length overcoat set the theme right away, while another model--the 14th image down--carried an actual prototype of the handrail itself!
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